A welcome addition.
Galindo’s American picture-book debut makes strides toward filling gaps in adoption narratives.
First-person narration follows an anthropomorphic puppy settling in with a “new mom.” Mom is a striped cat—on the surface, an odd choice given the antagonism typically associated with these animals. The text doesn’t acknowledge this, but it reveals related concerns: “I was worried I didn’t look like Mom.” The puppy paints stripes on its body, but Mom lovingly provides assurance: “She likes that we are different.” Cleansed of paint, child and mother take a walk and ignore a glowering spotted cat-and-kitten pair who presumably disapprove of their interspecies family. Otherwise, they stay home navigating the everyday ups and downs of getting acquainted. There’s only scant attention given to the puppy’s pre-adoptive life: it arrives with two packed bags and also says, “I’d never had my own room before.” This leaves questions open about the puppy’s life and neglects the third part of the adoption triad: the birth family. And yet, this is one of few adoption books to feature an older child entering a new family, and the two animals’ different appearances could be read as symbolizing different races. The presentation of a single mother is also unusual and valuable. Throughout, digital illustrations employ a soft, flat aesthetic rendered in a muted palette that meets the gentle text’s tone.
A welcome addition. (Picture book. 4-8)Pub Date: March 22, 2016
ISBN: 978-0-553-52134-4
Page Count: 32
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 8, 2016
Kirkus Reviews Issue: Jan. 15, 2016
BOOK REVIEW
A deliciously sweet reminder to try one’s unique best.
This smart cookie wasn’t alwaysa smart cookie.
At the corner of Sweet Street stands a bakery, which a whole range of buns and cakes and treats calls home, including a small cookie who “didn’t feel comfortable speaking up or sharing” any ideas once upon a time. During the early days of gingerbread school, this cookie (with sprinkles on its top half, above its wide eyes and tiny, smiling mouth) never got the best grades, didn’t raise a hand to answer questions, and almost always finished most tests last, despite all best efforts. As a result, the cookie would worry away the nights inside of a cookie jar. Then one day, kind Ms. Biscotti assigns some homework that asks everyone “to create something completely original.” What to do? The cookie’s first attempts (baking, building a birdhouse, sculpting) fail, but an idea strikes soon enough. “A poem!” Titling its opus “My Crumby Days,” the budding cookie poet writes and writes until done. “AHA!” When the time arrives to share the poem with the class, this cookie learns that there’s more than one way to be smart. John and Oswald’s latest installment in the hilarious Food Group series continues to provide plenty of belly laughs (thanks to puns galore!) and mini buns of wisdom in a wholly effervescent package. Oswald’s artwork retains its playful, colorful creative streak. Although slightly less effective than its predecessors due to its rather broad message, this one’s nonetheless an excellent addition to the menu.(This book was reviewed digitally.)
A deliciously sweet reminder to try one’s unique best. (Picture book. 4-8)Pub Date: Nov. 2, 2021
ISBN: 978-0-06-304540-8
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 23, 2021
Kirkus Reviews Issue: Oct. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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