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HADRIANA IN ALL MY DREAMS

An icon of Haitian literature serves up a hotblooded, rib-ticking, warmhearted mélange of ghost story, cultural inquiry,...

If you’ve ever wondered what ingredients to use to create a zombie out of a living person (and how exactly does one extract the bones of a garter snake’s middle ear?), your search ends with this one-of-a-kind novel.

“I died on the night of the most beautiful day of my life.” So begins the testimony of Hadriana Siloé, a sensuous pale-skinned Creole woman who, on the Saturday evening of Jan. 29, 1938, in her Haitian village of Jacmel, collapses at her wedding altar. She had earlier taken a mysterious potion that induces what we would now label “living death.” She is buried in the midst of a village bacchanal and later revived by an evil sorcerer. Keep in mind, however, that two-thirds of the book passes before Hadriana gives us her side of the story. Before then, this ribald, free-wheeling magical-realist novel, first published in 1988 and newly, engagingly translated by Glover, examines this traumatic event from many different angles, drawn from before and after Hadriana’s…um...passage. There is, for example, the legend of a libidinous young Jacmel citizen transformed into a libidinous butterfly enjoying carnal knowledge of most of the women in town; a town that undergoes precipitous decline tied to Hadriana’s misfortune. These and other aspects of the novel’s central catastrophe are filtered through the recollections and research of a man named Patrick, whose youthful ardor for Hadriana endures throughout the decades of her afterlife. Patrick, who seems a surrogate for the now-90-year-old Depestre, shows himself throughout to be a true savant on all things zombie, from the aforementioned recipe for “zombie poison” and its antidote to the celebrated cases of “Lil’ Joseph [the] zombifier” and the dead-woman-walking known as “Gisèle K.” By the time you’ve wandered these spooky, sultry corridors of Haiti’s collective subconscious, you’re persuaded that the true sorcery being practiced here is that of a mature artist coming to terms—and making peace—with “the natural, the comical, the playful, the sensual, and the magical aspects of Jacmel’s painful past.”

An icon of Haitian literature serves up a hotblooded, rib-ticking, warmhearted mélange of ghost story, cultural inquiry, folk art, and véritable l’amour.

Pub Date: May 2, 2017

ISBN: 978-1-61775-533-0

Page Count: 160

Publisher: Akashic

Review Posted Online: Feb. 20, 2017

Kirkus Reviews Issue: March 1, 2017

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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