by Reyna Grande ‧ RELEASE DATE: Oct. 2, 2018
A heartfelt, inspiring, and relevant memoir.
An award-winning author’s account of how she became the first person in her family to attend college and live the dream of becoming a writer.
When Grande (The Distance Between Us, 2012, etc.), a former undocumented Mexican immigrant, left Los Angeles in 1996 for the University of California, Santa Cruz, she was both excited and afraid. Two older siblings had dropped out of college, broken her alcoholic father’s heart, and made him “[give] up on me.” He had also exiled them from his life to facilitate the return of the second wife he had divorced. By the time Grande left community college for UCSC, her main sources of emotional support were a professor and a boyfriend who had been accepted to another college. At first, the author felt out of place on the nearly all-white UCSC campus; gradually, she found a place among other Hispanic students and in the university’s creative writing program. But the ghosts of her past continued to haunt her. When, for example, the mother who had abandoned her sent Grande’s sister back to Mexico for “running wild,” Grande brought the young girl to Santa Cruz only to be profoundly disappointed by her sister's bad behavior. After graduation, she returned to LA idealistic, believing that a degree would automatically grant her success. Instead, she floundered, unsure of how to begin her writing career. Then she stumbled into a teaching job. She began to make her dream of a middle-class life a reality, but at the expense of her writing. Now a single mother but no less determined to succeed on her terms, she earned a place in the Emerging Writers program, where she finally found the creative path she had been seeking all along. Candid and emotionally complex, Grande’s book celebrates one woman’s tenacity in the face of hardship and heartbreak while offering hope to other immigrants as they “fight to remain” and make their voices heard in a changing America.
A heartfelt, inspiring, and relevant memoir.Pub Date: Oct. 2, 2018
ISBN: 978-1-5011-7142-0
Page Count: 336
Publisher: Atria
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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by Joshua Davis ; adapted by Reyna Grande
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edited by Reyna Grande & Sonia Guiñansaca
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by Tom Clavin ‧ RELEASE DATE: April 21, 2020
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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by Bob Drury & Tom Clavin
by Emmanuel Carrère translated by Linda Coverdale ‧ RELEASE DATE: Sept. 13, 2011
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
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by Emmanuel Carrère ; translated by John Lambert
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by Emmanuel Carrère ; translated by John Lambert
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by Emmanuel Carrère ; translated by John Lambert
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