This heartrending and thoughtful memoir puts a human face on immigration’s personal toll.
This moving coming-of-age memoir by novelist Grande was a National Book Critics Circle Award Finalist in 2012. It has now been adapted for a younger audience.
The grown-up Grande writes credibly in the voice of her younger self about growing up in Iguala de la Independencia in southern Mexico. The book starts as her mother is leaving for the United States to join her husband, who left two years before. Grande and her older siblings are left in their grandmother’s care. Life in Iguala is one of grinding poverty and abusive treatment. Their parents have left with the dream of earning enough money to build a house back in Iguala; meanwhile the children have their own dream of being reunited with their parents and once more being a family. As Grande’s parents’ marriage collapses, their mother returns only to leave again and again. Eventually, their father takes them to the U.S. The author describes a life that, though different, is not easy on the other side of the border. They must live in fear of deportation, learn a new language, cower under their father’s abusive treatment, and make do, always on the financial edge. Though redacted for young readers, this edition pulls no punches, and its frank honesty does not read “young” in any way. Read this along with Francisco Jiménez’s biographical series, starting with The Circuit (1997).
This heartrending and thoughtful memoir puts a human face on immigration’s personal toll. (Memoir. 12-18)Pub Date: Sept. 6, 2016
ISBN: 978-1-4814-6371-3
Page Count: 336
Publisher: Simon & Schuster
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
Chilling, difficult, and definitely not for readers without a solid understanding of the Holocaust despite the relatively...
A young boy grows up in Adolf Hitler’s mountain home in Austria.
Seven-year-old Pierrot Fischer and his frail French mother live in Paris. His German father, a bitter ex-soldier, returned to Germany and died there. Pierrot’s best friend is Anshel Bronstein, a deaf Jewish boy. After his mother dies, he lives in an orphanage, until his aunt Beatrix sends for him to join her at the Berghof mountain retreat in Austria, where she is housekeeper for Adolf Hitler and Eva Braun. It is here that he becomes ever more enthralled with Hitler and grows up, proudly wearing the uniform of the Hitler Youth, treating others with great disdain, basking in his self-importance, and then committing a terrible act of betrayal against his aunt. He witnesses vicious acts against Jews, and he hears firsthand of plans for extermination camps. Yet at war’s end he maintains that he was only a child and didn’t really understand. An epilogue has him returning to Paris, where he finds Anshel and begins a kind of catharsis. Boyne includes real Nazi leaders and historical details in his relentless depiction of Pierrot’s inevitable corruption and self-delusion. As with The Boy in the Striped Pajamas (2006), readers both need to know what Pierrot disingenuously doesn’t and are expected to accept his extreme naiveté, his total lack of awareness and comprehension in spite of what is right in front of him.
Chilling, difficult, and definitely not for readers without a solid understanding of the Holocaust despite the relatively simple reading level. (Historical fiction. 12-14)Pub Date: June 7, 2016
ISBN: 978-1-62779-030-7
Page Count: 272
Publisher: Henry Holt
Review Posted Online: March 29, 2016
Kirkus Reviews Issue: April 15, 2016
BOOK REVIEW
BOOK REVIEW
The sudden death of her twin leaves a teenager struggling with grief and her fragile sense of self in this absorbing, inwardly focused import from Sweden, part fiction, part memoir. So close are the sisters that after Cilla is killed by a motorist Tina can still hear her voice, still see her just by looking in a mirror, still hold conversations; she even finds herself taking on some of Cilla’s character traits, seeking an inner balance that she has lost. Able to describe her experiences only by switching back and forth between third person and first, Tina observes the different ways those around her grieve, and finds temporary solace in many places: reading and writing poetry, performing on stage, playing her violin, trying a brief but intense fling at summer camp, even talking to a perceptive psychologist—but unlike many such stories, there is never any sense here that the authors are running through a catalog of coping strategies, or offering trite platitudes. A year later, Tina discovers that, in forming new friendships and moving on in life, she has passed the worst of her pain, and found ways to distance herself from Cilla without losing her completely. In a smooth, natural-sounding translation, this is a thoughtful, complex reminiscence. (Fiction. 12-15)
Pub Date: March 23, 1999
ISBN: 91-29-63935-2
Page Count: 247
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1999
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