This tale offers a fresh remix of familiar fantasy motifs.




A debut novel stars a young royal hesitant to rule even as supernatural hordes close in on humanity.

On the world of Airys, the kingdom of Hatam has been leveled by the Wolf Legion. King Edmund is dead. Prince Eron Eaglesword has fled to Ludamia’s Keep with his mentor, Lucas, chief of the Winged Guardian Order. As the Lycans approach, Eron and his lords commit to wiping them out. But the Wolf King slaughters Lucas, and cowardly Eron surrenders. Two years later, Eron and Princess Luna Flameheart have been living in peasant Rogava, posing as Hans and Gytha, to escape the Ruling Council’s justice. Problematically, the kingdoms of Amondia and Litharia don’t acknowledge the Ruling Council and threaten war. Worse, the winged Vladirian race hopes to turn a fractured humanity into Blood Cattle. Not without guilt over his decision to capitulate, Eron drinks too much and suffers nightmares. When Theodore, a former Winged Guardian, and Lord Gregory Weaverheart, a rogue councilman, track down Eron, they hope to persuade him to return to the once-proud city of Asmara and reclaim the throne. Yet as Eron’s friend Sturage says, “One man can’t liberate a city full of Lycans.” But doing so would make him a deity among mortals, following in the footsteps of Ludamia the Savior himself. In this series opener, Nathaniel lays out a banquet of what fantasy fans will consider comfort food. There’s a race of elegant, otherworldly elves; a mythical sword (the Muric Atamina); and a cult of sorcerers called the Laughing Skull. Smooth prose capably transports readers to places like the Elven city of Elanora in lines such as “the plants had strange variations of blue and purple and their blossoms were shaped to resemble the constellations of the stars.” Luna and other characters, including young Richard from the Institute of Knowledge, harbor secrets that jolt the narrative and add philosophical weight (“We call Lycans and Vladirians monsters...but in reality, our true nature is far more malevolent”). Certain story elements go underexplored—like Luna’s lineage—though the next installment promises a new conflict.

This tale offers a fresh remix of familiar fantasy motifs.

Pub Date: Dec. 5, 2018

ISBN: 978-0-9987220-2-3

Page Count: 361

Publisher: Time Tunnel Media

Review Posted Online: Feb. 13, 2019

Kirkus Reviews Issue: March 15, 2019

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.


High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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