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THE PEASANT KING

THE WAR OF HOWLS

This tale offers a fresh remix of familiar fantasy motifs.

Awards & Accolades

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A debut novel stars a young royal hesitant to rule even as supernatural hordes close in on humanity.

On the world of Airys, the kingdom of Hatam has been leveled by the Wolf Legion. King Edmund is dead. Prince Eron Eaglesword has fled to Ludamia’s Keep with his mentor, Lucas, chief of the Winged Guardian Order. As the Lycans approach, Eron and his lords commit to wiping them out. But the Wolf King slaughters Lucas, and cowardly Eron surrenders. Two years later, Eron and Princess Luna Flameheart have been living in peasant Rogava, posing as Hans and Gytha, to escape the Ruling Council’s justice. Problematically, the kingdoms of Amondia and Litharia don’t acknowledge the Ruling Council and threaten war. Worse, the winged Vladirian race hopes to turn a fractured humanity into Blood Cattle. Not without guilt over his decision to capitulate, Eron drinks too much and suffers nightmares. When Theodore, a former Winged Guardian, and Lord Gregory Weaverheart, a rogue councilman, track down Eron, they hope to persuade him to return to the once-proud city of Asmara and reclaim the throne. Yet as Eron’s friend Sturage says, “One man can’t liberate a city full of Lycans.” But doing so would make him a deity among mortals, following in the footsteps of Ludamia the Savior himself. In this series opener, Nathaniel lays out a banquet of what fantasy fans will consider comfort food. There’s a race of elegant, otherworldly elves; a mythical sword (the Muric Atamina); and a cult of sorcerers called the Laughing Skull. Smooth prose capably transports readers to places like the Elven city of Elanora in lines such as “the plants had strange variations of blue and purple and their blossoms were shaped to resemble the constellations of the stars.” Luna and other characters, including young Richard from the Institute of Knowledge, harbor secrets that jolt the narrative and add philosophical weight (“We call Lycans and Vladirians monsters...but in reality, our true nature is far more malevolent”). Certain story elements go underexplored—like Luna’s lineage—though the next installment promises a new conflict.

This tale offers a fresh remix of familiar fantasy motifs.

Pub Date: Dec. 5, 2018

ISBN: 978-0-9987220-2-3

Page Count: 361

Publisher: Time Tunnel Media

Review Posted Online: Feb. 13, 2019

Kirkus Reviews Issue: March 15, 2019

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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