A novel that offers enjoyable, if sluggish, entertainment for fans of re-imagined horror tropes.

DEAD SPOTS

A woman grieving for her ruined marriage and stillborn child finds herself transported to a terrifying place of nightmare and fantasy in this novel by prolific horror writer Frater (The Mesmerized, 2014, etc.).

Recently married and expecting her first child, 26-year-old Mackenzie Babin is settling into a happy life. The death of her son, inexplicably stillborn, tears her marriage apart and sends Mackenzie into a spiral of depression and anxiety. While driving away from her old life, she narrowly misses hitting a deer on a deserted back road and stumbles into a dead spot, a doorway to a place that lies between the worlds of the living and the dead, where fears and dreams all come true. A disciplined imagination can bring safety, but the slightest loss of control spawns vicious and very real nightmares. Mackenzie meets Grant, a mysterious man who becomes her guide through the dead spots, and begins to discover a previously unknown resilience and power of her own as she confronts a parade of graphic horrors. The terrors of the dead spots and some of the characters Mackenzie meets during her struggles are genuine pleasures, fondly re-imagined stock elements of the horror trade—serial-killer clowns, abandoned buildings, a reality that shifts in response to visceral fears—but the plot often shambles along without momentum, wandering from one violent or creepy vignette to the next with a peculiar lack of desire or need to drive it. Perhaps most frustrating is Mackenzie herself, positioned to be transformed into a heroine but unable to shake an infuriating helplessness and willful foolishness until very late in the game.

A novel that offers enjoyable, if sluggish, entertainment for fans of re-imagined horror tropes.

Pub Date: Feb. 10, 2015

ISBN: 978-0-7653-3715-3

Page Count: 400

Publisher: Tor

Review Posted Online: Nov. 20, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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