Put this in the ``We haven't seen this topic before'' category: A woman finds herself only after she leaves her husband and her lover for a gorilla. Linda Morris is not happy: ``Whenever I felt I could no longer bear another moment of my marriage I would imagine my husband's funeral....'' In fact, Linda loves her affluent, entrepreneurial husband, Steven, but their relationship survives because they never probe it too deeply. For excitement, Linda has a lover she doesn't even like named John Banks, who may be an assassin. Linda's real problem? No self-identity. One night, Linda and Steven lie in bed discussing his most recent investment—a Coney Island horror house with a Rent-A-Pet gorilla. Suddenly, Linda can no longer face him, or John, or not knowing herself. She sneaks away in their old Suburban only to find her escape complicated by Moses the Rent-A- Pet in the back. The next morning she tries dropping the gorilla at the horror house, but Moses kills, in self-defense, the old carny in charge, and Linda can't bear to see him die at the hands of the authorities. So she embarks on a quest to smuggle him to Florida, where he can be shipped abroad. Many follow her: Steven, who has turned very ugly; John, who may prefer to see her dead than to see her get away; and hordes of fortune hunters who recognize Moses' resale value. Throughout this adventure, Linda and Moses forge an unusual bond that reveals her courage, sensuality, and strength, and justifies Linda's musings on the origins of life. If it seems obvious that gorilla would represent man, Lerman (God's Ear, 1989, etc.) creates a very different and refreshing metaphor via which Linda saving Moses means saving herself. Wry, beautiful, hilarious, brave. A little didactic when Lerman talks about men and women as different species, but not enough to weigh down this otherwise effortlessly profound tale.
Pub Date: May 1, 1994
ISBN: 0-8050-1418-7
Page Count: 320
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1994
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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