A man spends his evenings dressing up as a superhero and his days stuck in the past.
Sam Holloway is, by outward appearances, a normal man. He flies under the radar in his job at a warehouse, he has a couple of friends, and he spends his free time drinking at a local pub. But what no one else knows is that, by night, Sam becomes The Phantasm. He dons a costume and hits the city streets, ready to help people as a renegade crime fighter. It’s the only thing that helps Sam make sense of the crushing grief and loneliness he feels after the years-ago plane crash that killed his entire family. He may not have been able to save them, but at least he can help others. Sam prefers to be by himself, at home with his comics, sticking to his routines…that is, until he meets Sarah. Right away, Sam knows that Sarah is different—she seems to understand him, and he’d rather be with her than home alone. But actually being in a relationship with her will require Sam to open up in a way that he hasn’t been able to since his family died. He may even have to give up his secret crime-fighting alter ego…but is a new relationship worth it? Or should he just stay in the comfortable, but lonely, cocoon he’s created? When Sam makes a mistake at work that spirals into a catastrophe, he realizes he can’t be anonymous forever. Thomas’ (On the Third Day, 2010, etc.) characters are all well-drawn, especially Sam, whose sympathetic backstory makes him immensely likable. Sam’s life seems almost unbearably sad at points, but that makes it all the more meaningful when he’s finally able to take off his mask—both figuratively and literally—and be brave. By opening himself up to Sarah, his friends, and even his boss, Sam might finally be able to live a life he never thought possible.
A lovely and touching exploration of grief and courage, perfect for self-proclaimed geeks and those who love them.Pub Date: June 18, 2019
ISBN: 9780-7783-0871-3
Page Count: 384
Publisher: Park Row Books
Review Posted Online: March 30, 2019
Kirkus Reviews Issue: April 15, 2019
Categories: LITERARY FICTION | ROMANCE | GENERAL ROMANCE
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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
Categories: GENERAL ROMANCE | ROMANCE | CONTEMPORARY ROMANCE
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SEEN & HEARD
SEEN & HEARD
A flabby, fervid melodrama of a high-strung Southern family from Conroy (The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend—the implication being that she couldn't stand being a Wingo anymore. Susan (a shrink with a lot of time on her hands) says to Tom, "Will you stay in New York and tell me all you know?" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ""There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past.
Pub Date: Oct. 21, 1986
ISBN: 0553381547
Page Count: 686
Publisher: Houghton Mifflin
Review Posted Online: Oct. 30, 2013
Kirkus Reviews Issue: Sept. 15, 1986
Categories: LITERARY FICTION
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SEEN & HEARD
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