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MONSTERS

THE 1985 CHICAGO BEARS AND THE WILD HEART OF FOOTBALL

Ideal for Chicagoans, both casual and die-hard sports fans, and anyone who wonders, “What happens when you have a dream and...

A fan’s engaging yet ultimately melancholy love letter to his beloved team and his hometown.

“Pick your team carefully, because your team is your destiny.” Vanity Fair and Rolling Stone contributor Cohen’s father’s solemn advice can be easily understood by sports fans. However, other readers will enjoy this entertaining, if profane, history of the 1985 NFL champion Chicago Bears. That team symbolized Chicago through their fierceness and audacity and by playing a “blitzkrieg” style of football that would certainly be banned today. Throughout, the author provides comical anecdotes about head coach Mike Ditka, a pugnacious tantrum-thrower whose method was “Ready, Fire, Aim.” Ditka’s orneriness mirrored that of “stingy, angry and mean” team owner George “Papa Bear” Halas (a founder of the NFL) and met its match in the defiant quarterback Jim McMahon, who, despite being undersized with a weak throwing arm and a bad eye, played without regard for his body and led his team to a 15-1 record. Cohen’s telling of the Bears’ founding and its tradition of nastiness is by turns devastating, regarding the irreparable harm done to players’ bodies and minds, and moving, as when he explains that Hall of Fame running back Walter Payton was “Chicago as Chicago wanted to be: a fighter…who’s been knocked down but always gets back up.” Cohen thankfully avoids sentimentality and doesn’t bog readers down in lengthy game reports or analyses. The author is at his best in the interviews with 32 retired players and executives who offer their impressions of the Bears’ famed “46” defense, “the most devastating force in football,” and its characters, including the Hit Man, Mongo, the Black & Blues Brothers and, most famously, the Fridge.

Ideal for Chicagoans, both casual and die-hard sports fans, and anyone who wonders, “What happens when you have a dream and that dream comes true?”

Pub Date: Oct. 29, 2013

ISBN: 978-0-374-29868-5

Page Count: 320

Publisher: Farrar, Straus and Giroux

Review Posted Online: Oct. 2, 2013

Kirkus Reviews Issue: Oct. 15, 2013

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BOMBERS

AN ORAL HISTORY OF THE NEW YORK YANKEES

New tales and golden oldies, all told with a touch of spicy mustard.

Sportswriter Lally (co-author, Long Balls, No Strikes, 1998, etc.) skillfully weaves together eyewitness accounts of famous moments in Yankee history.

World Series stories form the largest part of the narrative. Yankee shortstop Frank Crosetti and Cub third baseman Woody English witnessed Babe Ruth’s “called” shot against the Cubs in the 1933 Series: Surviving film is unclear as to whether Babe pointed to center field before hitting a home run there. English tells why Babe was angry with the Chicago team; “Crow” tells what he saw and how Babe shrewdly embellished the incident. Lou Gehrig’s rapid deterioration in health in 1939 stunned friends like Elden Auker, whose playful wrestling with the Iron Horse caused Gehrig real pain. Fans, who love or hate the Bronx Bombers for always getting the best players, will be amused to see how Tommy Heinrich slipped out of the Cleveland organization and joined the Yanks in 1937. In the ’50s, the Yankees recruited the best young talent for their minor leagues, before an equitable draft system was instituted in 1965. Casey Stengel led the team to 10 World Series in 12 years, and Lally focuses on the exciting final one against the Pirates in 1960. Jim Coates, Bobby Richardson, and Ralph Terry remain perplexed by Casey’s decision to start Art Ditmar in Game One instead of ace Whitey Ford; they suggest that Casey was showing signs of senility. Willie Randolph, Roy White, and Oscar Gamble paint a flattering portrait of hard-nosed manager Billy Martin, who improved any team he led. Clutch homerun hitters—Chambliss in ’76, Reggie Jackson in ’77, and Bucky Dent in ’78—recall their dramatic blasts. Lally wraps up with the 2000 Subway Series, and 14 Yankees and 8 Mets review the big moments (Clemens vs. Piazza, Jeter’s homeruns) of the Fall Classic that the Yanks won 4–1.

New tales and golden oldies, all told with a touch of spicy mustard.

Pub Date: April 1, 2001

ISBN: 0-609-60895-9

Page Count: 304

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2002

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THE LANDSCAPE OF HISTORY

HOW HISTORIANS MAP THE PAST

Provocative, polymathic, pleasurable. (Illustrations throughout)

Entertaining, masterful disquisition on the aims, limitations, design, and methods of historiography.

Gaddis (Military and Naval History/Yale; We Now Know: Rethinking Cold War History, 1997) adapts the lectures he gave at Oxford while its George Eastman Visiting Professor (2000–01). Employing a wide range of metaphors (from Cleopatra’s nose to Napoleon’s underwear), displaying an extensive knowledge of current thinking in mathematics, physics, and evolutionary biology, alluding frequently to figures as disparate as Lee Harvey Oswald, Gwyneth Paltrow, John Lennon, and John Malkovich, Gaddis guides us on a genial trip into the historical method and the imagination that informs it. He begins by showing the relationship between a cartographer and a historian, asserting that the latter must “interpret the past for the purposes of the present with a view to managing the future.” He also takes us through a set of principles he believes historians must employ and reminds us that the imagination of the historian must always be tethered to reliable sources. He takes on social scientists (especially economists), observing that as they attempt to become more “scientific” (establishing laws, making accurate predictions), they move in the opposite direction of today’s “hard” scientists: “When social scientists are right, they too often confirm the obvious.” Gaddis moves to a discussion of variables (declaring irrelevant the distinction between “independent” and “dependent”: “interdependent,” he says, is the more accurate term), examines chaos theory and explores theories of causation. He ends with an intriguing discussion of the role of the biographer, insisting that historians retain a moral view of events, and with a reminder that they must necessarily distort even as they clarify. Historians, like teachers, he says, both oppress and liberate.

Provocative, polymathic, pleasurable. (Illustrations throughout)

Pub Date: Nov. 1, 2002

ISBN: 0-19-506652-9

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2002

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