It’s finally OK for kids to press buttons! This interactive story will empower, educate, and entertain young readers who are...
The act of reading a picture book has never gotten so out of control.
When Bella and Ben attempt to play with a remote-control fire truck, playtime goes awry—first for Bella’s big, spotted dog and then for the main characters themselves. Before long, things are upside down, sideways, switched around, and out of control, and the only way to fix everything is for readers to press the proper buttons to get the book that they are reading back under control. The remote, which is almost as large as the characters and contains simple directional buttons, such as “up,” “down,” “spin,” and “squirt” (!), will be irresistible to tiny fingers. Bold red text conveys a sense of mild—yet exciting—alarm and will keep readers on the edges of their seats, just waiting for the book to get out of control. Minimalist backgrounds and pages splattered with bright colors keep readers’ eyes trained solely on the story; however, the bright palette does not distract from the book’s absence of characters of color—Bella and Ben both appear to be white. The book concludes with a challenge, inviting readers to figure out which button hasn’t yet been pressed. Once readers figure it out, they will undoubtedly want to read the book all over again.
It’s finally OK for kids to press buttons! This interactive story will empower, educate, and entertain young readers who are on the path to independent reading. (Picture book. 3-8)Pub Date: Oct. 4, 2016
ISBN: 978-1-62779-933-1
Page Count: 32
Publisher: Henry Holt
Review Posted Online: July 25, 2016
Kirkus Reviews Issue: Aug. 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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