From the prolific author of a long string of amusing doctor books (the Doctor in the House series) and quirky medical histories, an oddball assortment of chatty, impertinent anecdotes about the afflictions of 31 well-known people, real and fictional. This time, the doctor has his fun at the expense of such political figures as Washington, Napoleon, Hitler, and Churchill; royals such as Queen Victoria and Germany's Frederick III; literary luminaries from Boswell to Proust; and assorted others, including van Gogh, Freud, and Sherlock Holmes. Aware that Washington's ownership of false teeth is a familiar story, Gordon enlarges the retelling by informing us of 18th-century dental practice— transplants from cadavers, dentures from walrus tusks—thereby making us value dentistry's advances in recent times. The notion of medicine's progress permeates Gordon's accounts, for the treatments that 17th- and 18th-century doctors inflicted on patients— purgatives, enemas, bleedings, cuppings, and numerous foul concoctions—now seem not merely ineffective but downright death-promoting. Perhaps even more terrifying is the idea of surgery without anesthesia; Gordon's graphic description of the operation Pepys endured for removal of bladder stones sticks in the mind. Clever and gossipy, Gordon's brief anecdotes are full of name-dropping and sexual tittle-tattle: Boswell had gonorrhea, Carlyle was impotent, Florence Nightingale was a lesbian, and Hitler had only a right testicle. It is relief to come to the last chapter, where Gordon has the most fun of all with fictional figures. Dr. Watson's letter to Freud about his neurotic friend Holmes is a gem, as is Freud's reply. Discovering the human frailties of notable men and women (Byron had sclerosis of the liver, Proust suffered from mother-fixation, Elizabeth Barrett Browning was anorexic) does little to increase appreciation of their work but certainly cuts them down to size. For the most part, this is pretty low stuff, the National Enquirer for history buffs. (24 pages b&w photos, not seen)

Pub Date: March 1, 1997

ISBN: 0-312-15048-2

Page Count: 224

Publisher: St. Martin's

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 1997

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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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Necessarily swift and adumbrative as well as inclusive, focused, and graceful.


A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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