For those who like their philosophy with a twist, Ö la The Tao of Pooh, an intriguing though sometimes too constricted elucidation of some of Star Trek's deeper meanings. Perhaps because it is such a pop-culture icon, Star Trek (the original TV show, the sequels, the movies) has attracted legions of interpretations about everything from its deeper meanings to the reality (or lack thereof) of its science. Now Hanley, a philosopher at Central Michigan University, boldly and entertainingly goes where no philosopher has gone before. Though the show frequently grapples in its playful, inconsistent way with issues such as the fixity of identity, the limits of personhood, and the nature of time, Hanley is primarily concerned with employing it to illustrate his own theories on these topics. Using the Android Data, for example, as well as holograms and exocomps that appear in various episodes, he argues that ``the fairest test to determine whether or not an individual qualifies for personhood does not depend on its ability to pass for a human being.'' However, as a disciple of the analytic school of philosophy, Hanley isn't particularly interested in the really big questions (Why are we all here? What does it all mean?), questions Star Trek also tends to shun. He believes, instead, in a more narrowly focused approach that is ``continuous with the natural sciences.'' This leads to a certain aridity, a relentless reliance on logic that seems finally not only limiting but ultimately unconvincing. Like many philosophers, he is better at attacking those he disagrees with (he's particularly good at pointing out the show's philosophical contradictions) than building wholly credible positions of his own. Still, his ideas are spirited and provocative. It's to Hanley's credit that he's been able to mine so much from what after all is just clever, light entertainment. Philosophy 101 was never this much fun.
Pub Date: July 30, 1997
ISBN: 0-465-09124-5
Page Count: 272
Publisher: Basic Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1997
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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