Bright and bold, this will certainly catch the eye of every reader.
A color-concept book with a bilingual, cultural twist.
Chinese New Year gets a daring new look. A single color dominates a complete page spread. On recto, the name of the featured color in English is displayed on a white background while both the traditional Chinese characters and a romanized rendition, complete with accent marks, appear below in an inverse color scheme. A single cultural object related to Chinese New Year fully occupies the right. Here Lo’s talents shine with his renderings. The composition is simple, with the object sitting solo, centered within the line of sight. Artistic liberties are tastefully taken, with the object portrayed in a singular color that is occasionally contrary to tradition. Yet no embellishments are lost in the deceptively spare composition. This is best observed on the portrait of the teapot. Lo makes sure that no flower, leaf, or curly twirl of its details is omitted. The objects seem to pop due to the skilled shading and tricks of perspective. The background itself teems with textures, with occasional splatters of paint, bleeding edges, and blooms of watercolor that unevenly occupy the space. Vocabulary-wise, the only outlier is the use of the word “Cerulean” instead of “light blue,” which may require an explanation. A guide describing each object follows.
Bright and bold, this will certainly catch the eye of every reader. (Picture book 2-5)Pub Date: Nov. 12, 2019
ISBN: 978-0-8234-4371-0
Page Count: 40
Publisher: Holiday House
Review Posted Online: Sept. 28, 2019
Kirkus Reviews Issue: Oct. 15, 2019
BOOK REVIEW
Youngsters will enjoy the playful art if they aren’t overwhelmed by the busy design.
From Ant to Zorapteran, each page presents a variety of insects, both commonplace and obscure.
Narrator Mrs. Peanuckle, who enjoys sharing her likes and dislikes and writing about herself in the third person, has penned one to two sentences of quirky description and interesting facts for each insect representing a different letter of the alphabet: “L is for Ladybug / The loveliest of insects. They help Mrs. Peanuckle by eating the bugs on her roses!” The text often takes up most of the page and employs a different typeface per word, thus making the pages difficult to scan—often the featured letter of the alphabet merges with the name of the insect (“Inchworm” looks as though it has two I’s, for example). Ford’s lively insects skitter around the words in luminescent color; as with any effective insect book, there’s just enough detail to provoke interest without an ick-response. The companion book, Mrs. Peanuckle’s Flower Alphabet, presents blooms from Aster to Zinnia, with the same formula but with a more winsome approach to the art; here many of the flowers sport smiling faces in the same bold color palette.
Youngsters will enjoy the playful art if they aren’t overwhelmed by the busy design. (Board book. 2-5)Pub Date: Feb. 27, 2018
ISBN: 978-1-62336-939-2
Page Count: 28
Publisher: Rodale Kids
Review Posted Online: March 17, 2018
Kirkus Reviews Issue: July 1, 2018
BOOK REVIEW
Lovely, if a bit frustrating.
The double meaning of the title of this French import will likely be lost on young readers who do not know that “plume” means “feather,” since “Plume” is the name of the black cat who stalks mysteriously through the pages, clearly with evil designs on the birds portrayed.
As with her earlier picture book Blue Hour (2017), Simler portrays her subject matter—birds and their feathers—in finely rendered, realistic detail. However, the birds chosen are not always specifically named, and many species are not found in North America, lessening the book’s appeal for readers on this continent. For example, the nuthatch, jay, and kingfisher featured in the book are Eurasian species, so there is little chance of a child in the U.S. finding one of these feathers or being able to identify them. A gull is simply identified as “Seagull,” likewise for the highly stylized owl; the “Eagle” is clearly a bald eagle. The attractiveness of the illustrations compensates in large part for these flaws. The black cat’s presence is charmingly hinted at in each illustration, sometimes just as an ear, a tail, or a whisker peeking from the edge of the spread, sometimes almost hidden behind the bird. On the last spread, Plume is completely visible, clutching a feather and saying innocently, “Oh…me? / I collect feathers… //…because I love overstuffed pillows. / I am a dreamer cat. / They call me Plume.”
Lovely, if a bit frustrating. (Picture book. 2-5)Pub Date: Sept. 4, 2017
ISBN: 978-0-8028-5492-6
Page Count: 42
Publisher: Eerdmans
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
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