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THE BOOK OF PAUL

A psychological thriller for readers who are bored with run-of-the-mill horror movies, enjoy the dark side of mythology and...

The sadistic account of one man’s quest to escape a prophecy he never wanted.

Martin’s life was never what he imagined. He started off with a negligent and abusive mother, a friendless childhood and more hurt and terror than most can imagine. It only got worse when his new “Daddy” came on the scene—the prophetic, masochistic and pain-happy Paul who became the only father Martin ever knew—the man who taught (by way of torture) that suffering is merely a feeling that one can overcome. Fast-forward to New York’s grungy, pre-gentrification Alphabet City. It’s a hepatitis-infested, murder-heavy neighborhood; the perfect setting for this twisted tale. It’s here that Paul continues to inflect his torture. And it’s here where Martin meets Rose, a tattooed, pierced and unabashedly vivacious girl who lives in his building. Because of his feelings for Rose, Martin must revisit his past and determine both his own nature and if he will continue down the same warped path of pain as his father. Told in flashbacks from each character’s point of view, including an omniscient, but untrustworthy, narrator, the novel is an easy read. That is, until victims have body parts sliced off and hands nailed to tables and are hog tied, gagged and stuffed in a bag in Paul’s house of horrors. The star-crossed Rose and Martin find themselves on the opposing sides of warring clans. This ensures their thrilling quest for freedom and the power to choose their own destinies, regardless of their pasts. Long’s prose is deft and clear, transporting the reader from one character’s psyche to the next, from Paul’s squalid squatting quarters to Rose’s warm and color-drenched apartment. Heavy on the gore, blood and suffering, this tale is a compelling one. Those who embrace the genre will eagerly anticipate a second installment in the series.

A psychological thriller for readers who are bored with run-of-the-mill horror movies, enjoy the dark side of mythology and science fiction, and most importantly, have strong stomachs.

Pub Date: June 7, 2012

ISBN: 978-0615648644

Page Count: 488

Publisher: Open Eyes

Review Posted Online: Aug. 22, 2012

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Mary's Song

From the Dream Horse Adventure Series series , Vol. 1

A short, simple, and sweet tale about two friends and a horse.

A novel tells the story of two spirited girls who set out to save a lame foal in 1952.

Mary, age 12, lacks muscle control of her legs and must use a wheelchair. Her life is constantly interrupted by trips with her widower father to assorted doctors, all of whom have failed to help her. Mary tolerates the treatments, hoping to one day walk unassisted, but her true passion involves horses. Possessing a library filled with horse books, she loves watching and drawing the animals at a neighboring farm. She longs to own one herself. But her father, overprotective due to her disability and his own lingering grief over Mary’s dead mother, makes her keep her distance. Mary befriends Laura, the emotionally neglected daughter of the wealthy neighboring farm owners, and the two share secret buggy rides. Both girls are attracted to Illusion, a beautiful red bay filly on the farm. Mary learns that Illusion is to be put down by a veterinarian because of a lame leg. Horrified, she decides to talk to the barn manager about the horse (“Isn’t it okay for her to live even if she’s not perfect? I think she deserves a chance”). Soon, Mary and Laura attempt to raise money to save Illusion. At the same time, Mary begins to gain control of her legs thanks to water therapy and secret therapeutic riding with Laura. There is indeed a great deal of poignancy in a story of a girl with a disability fighting to defend the intrinsic value of a lame animal. But this book, the first installment of the Dream Horse Adventure Series, would be twice as touching if Mary interacted with Illusion more. In the tale’s opening, she watches the foal from afar, but she actually spends very little time with the filly she tries so hard to protect. This turns out to be a strange development given the degree to which the narrative relies on her devotion. Count (Selah’s Sweet Dream, 2015) draws Mary and Laura in broad but believable strokes, defined mainly by their unrelenting pluckiness in the face of adversity. While the work tackles disability, death, and grief, Mary’s and Laura’s environments are so idyllic and their optimism and perseverance so remarkable that the story retains an aura of uncomplicated gentleness throughout.

A short, simple, and sweet tale about two friends and a horse.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Hastings Creations Group

Review Posted Online: Oct. 15, 2016

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ONCE UPON A GIRL

Therapeutic, moving verse from a promising new talent.

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Keridan’s poetry testifies to the pain of love and loss—and to the possibility of healing in the aftermath.

The literary critic Geoffrey Hartman once wrote that literature—and poetry, in particular—can help us “read the wound” of trauma. That is, it can allow one to express and explain one’s deepest hurts when everyday language fails. Keridan appears to have a similar understanding of poetry. She writes in “Foreword,” the opening work of her debut collection, that “pain frequently uses words as an escape route / (oh, how I know).” Many words—and a great deal of pain—escape in this volume, but the result is healing: “the ending is happy / the beginning was horrific / so let’s start there.” The book, then, tracks the process of recovery in the wake of suffering, and often, this suffering is brought on by romantic relationships gone wrong. An early untitled poem opens, “I die a little / taking pieces of me to feed the fire / that keeps him warm / you don’t notice that it’s a slow death / when you’re disappearing little by little.” The author’s imagery here—of the self fueling the dying fire of love—is simultaneously subtle and wrenching. But the poem’s message, amplified elsewhere in the book, is clear: We go wrong if we destructively give ourselves over to others, and healing comes only when we turn our energies back to our own good. Later poems, therefore, reveal that self-definition often equals strength. The process is painful but salutary; when “you’re left unprotected / surrounded by chaos with nothing you / can depend on / except yourself / and that’s when you gather the pieces / of the life you lost / and use them to build the life you want.” The “life you want” is an elusive goal, and the author knows that the path to self-definition is fraught with peril—but her collection may give strength to those who walk it.

Therapeutic, moving verse from a promising new talent.

Pub Date: Nov. 2, 2018

ISBN: 978-1-72770-538-6

Page Count: 196

Publisher: CreateSpace

Review Posted Online: Jan. 9, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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