Next book

TREES AND PEOPLE

A contribution to the debate over professional forestry's environmental impact by someone who believes that people take better care of trees than nature does. The US Forestry Service—and professional forestry in general- -has come under heavy fire in recent years for, among other sins, the irresponsible destruction of trees. Jordan, who has worked for 40 years in the forest products industry, argues that environmentalists and government regulations are standing in the way of healthy, sustainable forests. He takes as a hopeful sign President Clinton's 1993 Forestry Conference, which attempted to find a common ground between conflicting environmental and economic demands. Some kind of resolution is necessary, Jordan argues, if the forest-products industry is to continue to fulfill the American Dream by supplying cheap housing and consumer goods. In 1993, Jordan asserts, 129,000 people were busy writing 66,000 pages of federal regulations, many of which were contradictory. Worse still, in his view, Congress is designating countless acres as national wilderness or protected parkland. Nature rules in these areas, states Jordan, causing ``catastrophic `clearcuts' through the devastating ravages of wildfires, hurricanes, insects, disease and old age,'' while in the hands of private industry these same areas would have watershed protection, erosion control, care of wildlife and plant habitat, recreational opportunity, and, most important, stewardship of a valuable renewable raw material. He calls for a national campaign on the part of the forest-products industry to spread the word about its successes, combat its negative public image, and cultivate grassroots support. Jordan is an articulate and fervent advocate of sustainable forestry, and his perspective on the issues is refreshingly different, but he fails to adequately address such major environmental concerns as the loss of genetic diversity among forest trees. A valid comment, but far from the final word on the fate of our forests. (Photos, not seen)

Pub Date: Oct. 1, 1994

ISBN: 0-89526-483-8

Page Count: 269

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1994

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview