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THE COLONEL

THE LIFE AND LEGEND OF ROBERT R. MCCORMICK, 1880-1955

The epic story of the the contentious publisher and fervent conservative who, along with William Randolph Hearst, was a model for Orson Welles's Citizen Kane. In its heyday, writes Smith (Patriarch, 1993, etc.), there was no paper quite like the Chicago Tribune, the self-proclaimed World's Greatest Newspaper, and McCormick, its editor and publisher, made himself synonymous with the Windy City. At once acerbic and empathetic, the multifaceted Colonel lived many lives- -city official, soldier, inventor, historian, and publisher—but, Smith observes, it is as the begetter of controversies that he is best remembered. McCormick, who joined the Tribune as treasurer after working as president of the Chicago Sanitary District, picked up where his contentious predecessor, maternal grandfather, and early Tribune editor Joseph Medill, left off. Serving in France in 1917, Bert McCormick was promoted to lieutenant colonel and saw heavy action. Returned stateside and established in his sanctum on the 24th floor of the new Tribune Tower, he found in Hoover and Prohibition (and, later, the New Deal Democrats) confirmation of his worst fear: ``an overreaching government enacting laws that resulted in unprecedented lawlessness.'' McCormick's Tribune, a bible to hundreds of small-town editorial writers, waged ceaseless battle with the Colonel's Groton classmate FDR, courting White House ire with revelations of US military plans on the eve of Pearl Harbor and later coming within a hairsbreadth of an espionage indictment over reporting on the Battle of Midway. Consumed with concerns over labor and succession at the Tribune, McCormick spent his final years ``marooned,'' like Kane, a man out of his time. Smith, the first biographer with access to the Colonel's private papers, orchestrates, with an objective eye for ironic detail and a firm grasp of events and their significance, a vivid ensemble of characters on a domestic and international stage. An indispensable guide to an outsize character and his era. (16 pages b&w photos, not seen)

Pub Date: July 1, 1997

ISBN: 0-395-53379-1

Page Count: 612

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1997

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SLEEPERS

An extraordinary true tale of torment, retribution, and loyalty that's irresistibly readable in spite of its intrusively melodramatic prose. Starting out with calculated, movie-ready anecdotes about his boyhood gang, Carcaterra's memoir takes a hairpin turn into horror and then changes tack once more to relate grippingly what must be one of the most outrageous confidence schemes ever perpetrated. Growing up in New York's Hell's Kitchen in the 1960s, former New York Daily News reporter Carcaterra (A Safe Place, 1993) had three close friends with whom he played stickball, bedeviled nuns, and ran errands for the neighborhood Mob boss. All this is recalled through a dripping mist of nostalgia; the streetcorner banter is as stilted and coy as a late Bowery Boys film. But a third of the way in, the story suddenly takes off: In 1967 the four friends seriously injured a man when they more or less unintentionally rolled a hot-dog cart down the steps of a subway entrance. The boys, aged 11 to 14, were packed off to an upstate New York reformatory so brutal it makes Sing Sing sound like Sunnybrook Farm. The guards continually raped and beat them, at one point tossing all of them into solitary confinement, where rats gnawed at their wounds and the menu consisted of oatmeal soaked in urine. Two of Carcaterra's friends were dehumanized by their year upstate, eventually becoming prominent gangsters. In 1980, they happened upon the former guard who had been their principal torturer and shot him dead. The book's stunning denouement concerns the successful plot devised by the author and his third friend, now a Manhattan assistant DA, to free the two killers and to exact revenge against the remaining ex-guards who had scarred their lives so irrevocably. Carcaterra has run a moral and emotional gauntlet, and the resulting book, despite its flaws, is disturbing and hard to forget. (Film rights to Propaganda; author tour)

Pub Date: July 10, 1995

ISBN: 0-345-39606-5

Page Count: 432

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1995

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LIFE IS SO GOOD

The memoir of George Dawson, who learned to read when he was 98, places his life in the context of the entire 20th century in this inspiring, yet ultimately blighted, biography. Dawson begins his story with an emotional bang: his account of witnessing the lynching of a young African-American man falsely accused of rape. America’s racial caste system and his illiteracy emerge as the two biggest obstacles in Dawson’s life, but a full view of the man overcoming the obstacles remains oddly hidden. Travels to Ohio, Canada, and Mexico reveal little beyond Dawson’s restlessness, since nothing much happens to him during these wanderings. Similarly, the diverse activities he finds himself engaging in—bootlegging in St. Louis, breaking horses, attending cockfights—never really advance the reader’s understanding of the man. He calls himself a “ladies’ man” and hints at a score of exciting stories, but then describes only his decorous marriage. Despite the personal nature of this memoir, Dawson remains a strangely aloof figure, never quite inviting the reader to enter his world. In contrast to Dawson’s diffidence, however, Glaubman’s overbearing presence, as he repeatedly parades himself out to converse with Dawson, stifles any momentum the memoir might develop. Almost every chapter begins with Glaubman presenting Dawson with a newspaper clipping or historical fact and asking him to comment on it, despite the fact that Dawson often does not remember or never knew about the event in question. Exasperated readers may wonder whether Dawson’s life and his accomplishments, his passion for learning despite daunting obstacles, is the tale at hand, or whether the real issue is his recollections of Archduke Ferdinand. Dawson’s achievements are impressive and potentially exalting, but the gee-whiz nature of the tale degrades it to the status of yet another bowl of chicken soup for the soul, with a narrative frame as clunky as an old bone.

Pub Date: Feb. 1, 2000

ISBN: 0-375-50396-X

Page Count: 288

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1999

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