A compelling history of the city that never sleeps (just skip the activities).
The story of New York City from the Ice Age to the Freedom Tower makes for an adventure packed with memorable events and people.
Here is Peter Stuyvesant, who ruled New Amsterdam with an iron hand until he was forced to surrender to the English. Here is a city of many religious sects, all able to flourish in a spirit of tolerance (or perhaps indifference). Occupied by the British in the Revolution, the site of the infamous Civil War draft riots, and constantly buffeted by economic highs and lows, the city is always reinventing itself. The richest and poorest people live in uneasy juxtaposition, displaying the best and worst of humanity. Disasters and triumphs abound, and the city survives it all. Organizing the subject chronologically in eight chapters, Panchyk manages to work several centuries of history into a manageable account that reads like an action thriller. Each section is given a clear and straightforward title, is written in equally clear and concise language, and contains several informative sidebars. Copious illustrations in the form of historical photographs, maps, diagrams and drawings are appropriate, though not in color. There are also 21 activities that purport to enhance understanding but are quite complicated and call for many, often expensive, materials.
A compelling history of the city that never sleeps (just skip the activities). (timeline, bibliography, places to visit) (Nonfiction. 10-14)Pub Date: Nov. 1, 2012
ISBN: 978-1-883052-93-5
Page Count: 144
Publisher: Chicago Review Press
Review Posted Online: Sept. 25, 2012
Kirkus Reviews Issue: Oct. 15, 2012
In this companion to Portraits of War: Civil War Photographers and Their Work (1998), Sullivan presents an album of the prominent ships and men who fought on both sides, matched to an engrossing account of the war's progress: at sea, on the Mississippi, and along the South's well-defended coastline. In his view, the issue never was in doubt, for though the Confederacy fought back with innovative ironclads, sleek blockade runners, well-armed commerce raiders, and sturdy fortifications, from the earliest stages the North was able to seal off, and then take, one major southern port after another. The photos, many of which were made from fragile glass plates whose survival seems near-miraculous, are drawn from private as well as public collections, and some have never been published before. There aren't any action shots, since mid-19th-century photography required very long exposure times, but the author compensates with contemporary prints, plus crisp battle accounts, lucid strategic overviews, and descriptions of the technological developments that, by war's end, gave this country a world-class navy. He also profiles the careers of Matthew Brady and several less well-known photographers, adding another level of interest to a multi-stranded survey. (source notes, index) (Nonfiction. 10-13)
Pub Date: March 1, 2001
ISBN: 0-7613-1553-5
Page Count: 80
Publisher: Twenty-First Century/Millbrook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
Debuting a new series, Krull presents a compelling argument that the great painter of the Renaissance was one of the West’s first real modern scientists. Into the stew of superstition that passed for scientific thought in medieval Europe was born Leonardo, illegitimate and therefore only very sketchily schooled, he grew up largely on his own, rambling around his family’s property and observing nature. The portrait that emerges is of a magpie mind: He studied and thought and wrote about very nearly everything. The breezy text draws heavily from Leonardo’s own writings, discussing his groundbreaking forays into anatomy, water management and flight, always propelled by a commitment to direct scientific observation. That Krull manages, in some 100-plus text pages, to present Leonardo’s scientific accomplishments while at the same time conveying a sense of the man himself—his probable homosexuality is presented frankly, as are his pacifism and the overriding opportunism that had him designing weapons of war for the Duke of Milan—is no mean feat and bodes well for the succeeding volumes in the series. (appendix, bibliography, Web sites, index) (Biography. 10-14)
Pub Date: July 1, 2005
ISBN: 0-670-05920-X
Page Count: 128
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2005
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