With a hospitalized heroin addict for a mother and facing the prospect of another new school, Molly Moberly, 12, is a stray who delivers in an abrupt and somewhat detached narrative the details of a year in her life. Molly has been sent to live with a relative by marriage, Aunt Fay. Next door is Will McKinney, a fellow stray living with his grandparents. The wistful, ingenuous narration gains strength as Molly meets the tale’s many eccentric characters; their actions have an impact on Molly even as their motives remain mostly unknown: A home-schooled child Molly befriends (“I could only wonder at Tracy having this much mother when I didn’t have any”) is badly burned after torching the public school; a wealthy, lonely woman Molly visits turns out to be her grandmother; the McKinneys—who had allowed people to think that Will’s father was in prison—have been taking care of him at home as he slowly dies of AIDS. The novel settles upon a host of difficult issues and then, indescribably, lets them go: When Will sustains a bloody injury while playing ball, the coach requests that he quit the team because other members are afraid of contracting HIV. Instead of countering this ignorance, Will retreats, and the issue is dropped, with only a few utterances of protest from Aunt Fay. The novel becomes something of a treatise about a generation of children who have been cast aside by their parents; with its compelling premises and Molly’s fragile but tautly convincing voice, it will be seized upon by Peck’s fans, but may leave them longing for more. (Fiction. 12-14)
Pub Date: May 1, 1998
ISBN: 0-8037-2291-5
Page Count: 155
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1998
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel.
A Holocaust tale with a thin “Hansel and Gretel” veneer from the author of The Devil’s Arithmetic (1988).
Chaim and Gittel, 14-year-old twins, live with their parents in the Lodz ghetto, forced from their comfortable country home by the Nazis. The siblings are close, sharing a sign-based twin language; Chaim stutters and communicates primarily with his sister. Though slowly starving, they make the best of things with their beloved parents, although it’s more difficult once they must share their tiny flat with an unpleasant interfaith couple and their Mischling (half-Jewish) children. When the family hears of their impending “wedding invitation”—the ghetto idiom for a forthcoming order for transport—they plan a dangerous escape. Their journey is difficult, and one by one, the adults vanish. Ultimately the children end up in a fictional child labor camp, making ammunition for the German war effort. Their story effectively evokes the dehumanizing nature of unremitting silence. Nevertheless, the dense, distancing narrative (told in a third-person contemporaneous narration focused through Chaim with interspersed snippets from Gittel’s several-decades-later perspective) has several consistency problems, mostly regarding the relative religiosity of this nominally secular family. One theme seems to be frustration with those who didn’t fight back against overwhelming odds, which makes for a confusing judgment on the suffering child protagonists.
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel. (author’s note) (Historical fiction. 12-14)Pub Date: March 6, 2018
ISBN: 978-0-399-25778-0
Page Count: 432
Publisher: Philomel
Review Posted Online: Dec. 20, 2017
Kirkus Reviews Issue: Jan. 15, 2018
For a girl who is—by most standards—not perceived to be extraordinary, it is not easy living with a family of beautiful people. Jennifer Thayer both envies and resents her gourmet restaurateur/salad-dressing entrepreneur father, her industrial- psychologist mother who seems to care more about her work than about her younger daughter, and especially older sister Cass: lovely, talented, brainy, and preparing for marriage. Desperate for attention, Jennifer fakes an attempted rape, and at first, it works; for once in her life she is at center stage. Soon, however, the detective on the case figures out that something in the girl’s story isn’t right, and suspects that Jennifer’s mother has been abusing her. Caught up in the net of lies, Jennifer has to decide whether or not she can live with a growing sense of shame and guilt. Once again, Cadnum (Heat, 1998, etc.) has dissected the mind of one of society’s troubled young people, who has everything on the surface but is desperately trying to fill an unnamed emptiness. Deep, dark, and moving, this is a model tale of adolescent uneasiness set amid the roiling emotions of modern life. (Fiction. 12-14)
Pub Date: June 1, 1999
ISBN: 0-670-88377-8
Page Count: 167
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1999
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