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READ THIS BOOK IF YOU DON'T WANT A STORY

A decent-enough addition to the shelf of stories about stories, marred only by a questionable choice from the illustrator.

What chance does a blocked narrator have when all the words, characters, readers, and even the page numbers gather round to offer motivation?

Having a codex for a body but otherwise bearing an ill-considered resemblance to the Frito Bandito, “The Book With No Story” opens with a scenery-chewing tally of what not to expect: ”I’ll show you no pictures, no scares and no thrills, / no cows on trapezes, no fish with big gills, / no polar bears on snowboards, no quacking duck bills….” This list is interrupted at, literally, every turn by argumentative page numbers and a burgeoning cast of characters…led by a huge polar bear. Book’s stubborn refusal to cooperate only lasts until the chorus invites a diverse squad of young readers to join in a group bear hug, then a hearty shake that gets the creative juices flowing. Though in his mix of verse and prose Phillips isn’t much for regular cadences, he does have a way with quick, galloping rhyme. He also strews this meta-tale with enticing story starters (“Once upon a time, Prince Pork Chop Lover discovered that Princess Leaping Pickle had been kidnapped by a Giant Woolly Tundra Snail”) and closes with words of encouragement to all young storysmiths: “Imagine a poem. / Imagine a play. / But don’t ever imagine / you have nothing to say.”

A decent-enough addition to the shelf of stories about stories, marred only by a questionable choice from the illustrator. (Picture book. 6-8)

Pub Date: Sept. 3, 2019

ISBN: 978-0-88448-705-0

Page Count: 36

Publisher: Tilbury House

Review Posted Online: July 13, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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THE NOTE WHO FACED THE MUSIC

Amusing but a little off tempo.

It’s important to hit all the right notes.

A tan-skinned musical composer with puffy black hair is busy at work on his next musical masterpiece when Half Note, a music symbol denoting two beats, feels unappreciated. Half Note is jealous of the more commonly used Quarter Note (one beat) and Eighth Note. Although the other musical symbols attempt to calm and comfort Half Note, she decides to run away. The next day, Composer needs Half Note and panics when he realizes that she’s gone. The other notes and musical symbols try to find her, but it’s only when they try to play her favorite song, “Twinkle, Twinkle, Little Star,” without her—with terrible results—that she comes running back. The story’s humor—which is largely based on “dad joke” puns—is completely dependent on readers’ musical knowledge. The artwork, a mix of acrylic and colored pencil, attempts to add some allegrezza to the piece, and while it’s not unsuccessful, it’s facing an uphill battle. Music teachers and musically minded caregivers may find some value in this story, but it will likely be too specialized for general readers. (This book was reviewed digitally.)

Amusing but a little off tempo. (glossary) (Picture book. 6-8)

Pub Date: March 14, 2023

ISBN: 978-1-64567-631-7

Page Count: 32

Publisher: Page Street

Review Posted Online: Dec. 23, 2022

Kirkus Reviews Issue: Jan. 15, 2023

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KONDO & KEZUMI VISIT GIANT ISLAND

From the Kondo & Kezumi series , Vol. 1

A story of friendship that is both lively and lovely

Two friends embark upon a high-seas adventure.

Kondo, a large lemon-colored creature with wide round eyes, spends his day on his island home with his best friend, tangerine-hued Kezumi. Together, they frolic on their idyllic isle picking berries (tall Kondo nabs the higher fruit while Kezumi helps to retrieve the lower) while surrounded by tiny “flitter-birds” and round “fluffle-bunnies.” One day, Kezumi finds a map in a bottle that declares “WE ARE NOT ALONE.” Inspired by visions of a larger world, Kondo and Kezumi fashion a boat from a bathtub and set sail. The pair visits fantastical islands—deliciously cheese-laden Dairy Isle, the fiery and fearsome Fireskull Island—until they eventually settle upon the titular Giant Island, where they meet Albert, a gigantic gray talking mountain who is—obviously—unable to leave. Enthralled by his new friends, Albert wants them to stay forever. After Albert makes a fraught decision, Kondo and Kezumi find themselves at a crossroads and must confront their new friend. Goodner and Tsurumi’s brightly illustrated chapter book should find favor with fans of Kate DiCamillo and Chris Van Dusen’s similarly designed Mercy Watson series. Short, wry, descriptive sentences make for an equally enjoyable experience whether read aloud or independently. Episodic chapters move the action along jauntily; the conclusion is somewhat abrupt, but it promises more exploration and adventures for the best friends. (This review was originally published in the June 1, 2019, issue. The book data has been updated to reflect changes in publisher and date of publication.)

A story of friendship that is both lively and lovely (Fantasy. 6-8)

Pub Date: Oct. 27, 2020

ISBN: 978-1-368-02577-5

Page Count: 80

Publisher: Little, Brown

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: July 15, 2020

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