What begins as a visit to Uncle Dave’s new condominium, turns into an almost-magical adventure at the Castle Apartments. Winifred is the imaginative one, fervently hoping “the castle” comes complete with a moat and a spiky door. Eugene, her brother, would be happy with a mere television. Brenda, lovingly referred to as Bun Bun, has just begun toddling and it is her curiosity that sets the plot in motion. While their parents are busy with the doorman, Bun Bun steps into the elevator with Winifred hurrying after. The doors close. Trapped in the elevator, Bun Bun begins to cry while Winifred tries to comfort her as she’s seen Mommy do. Three times the doors open on the wrong floor and each time they meet with a different character befitting inhabitants of a castle. There’s a monster, a witch, and then a princess. The illustrations let the reader in on the real identity of the apartment occupant. The monster, for example, is an eager spotted dog. At last the hapless two meet the knight, in this case Uncle Dave, who tops off the occasion with a royal surprise. Scrimger and Johnson first combined their talents when they introduced these characters in Bun Bun’s Birthday (not reviewed). Drawn with humor, the artwork supplements the tale by illuminating half the story and adorns each page with willowy ink and watercolor pictures. This is a light but involving read that nicely portrays how a child can affect her environment for it is Winifred’s aplomb and fancy that keeps the situation from turning panicky. (Picture book. 3-6)
Pub Date: May 7, 2002
ISBN: 0-88776-543-2
Page Count: 24
Publisher: Tundra Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2002
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
SEEN & HEARD
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
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