Historian (Gunfighter Nation, 1992, etc.) and novelist Slotkin (The Return of Henry Starr, 1988; The Crater, 1980) offers an impressively detailed re-creation of the early years of our myth-enshrouded 16th president. In a leisurely narrative that spans the years 1810'32, Slotkin portrays the ungainly Abe as both the muscular “rail-splitter” of popular legend and a conscientious autodidact who patiently endures his unhappy father’s exploitation of his physical strength, while slowly absorbing learning but without formal schooling (“At fourteen the boy could read and write as well as a growed man needed to, and his ciphering not far behind”). We observe the Lincoln family’s hopeful moves from Kentucky to Illinois to Indiana, and a colorful succession of experiences that challenge Abe’s courage and wit, as well as steadily shape his character: the death of his beloved “Mam” from the virulent “Milk-sick” epidemic; a vivid account of the hunt for “a wounded hungry mean smart angry bear”; misadventures in the “Gin Sang” (i.e., ginseng) trade; a revealing acquaintance with socialist Robert Owen’s experiment in communal living at “New Harmony,” Indiana; and'in the long sequence that’s the real heart of the novel'a journey by flatboat down the Ohio and Mississippi rivers to New Orleans, featuring encounters with bibulous Shakespearean actor Junius Brutus Booth, slaveholding vigilante “Regulators,” and numerous defenders and enemies of the institution of slavery itself: the moral quandary that, we infer, will raise its head again as Abe begins his career in local politics, earning fame as a debater and beginning to take an interest in lively young “Annie” Rutledge . . . at which point the story (perhaps to be followed by a sequel?) ends. Slotkin does stack the deck rather obtrusively, contriving one scene after another that emphasizes the dawning of the idea of full equality for all men in Abe’s churning mind. That objection aside, this is an absorbing, highly satisfying historical fiction: an appropriate culmination of Slotkin’s obviously herculean researches, and his best yet.
Pub Date: Feb. 8, 2000
ISBN: 0-8050-4123-0
Page Count: 512
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2000
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
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