NOBODY'S SAFE

Steinberg’s second novel is not the expected sequel to The Gemini Man (1998), but rather introduces a new character, safecracker supreme Greg Picaro, who looks as if he may return for further adventures. Picaro’s unrivaled talents as a master thief derive indirectly from his own author’s background running an international security firm. And Picaro himself repeatedly invokes his god, Linus Yale, inventor of the Yale lock, while working on evading top-grade sensors. The story’s opening scene is reminiscent of David Baldacci’s Absolute Power with a safecracker who—while breaking into an apartment safe—witnesses a double murder, a villainy that leads back to a source in none other than the president-elect. The discovery that he has stolen some perfectly formed, incredibly round, or marble-shaped, diamonds (synthesized by no known earthly process), turns Picaro into a man on the run, as in Harrison Ford’s The Fugitive, itself borrowed from F.L. Green’s early “40s novel/film Odd Man Out. Then Steinberg hairpins into E.T.: Extraterrestrial with a pair of lovable little aliens, Joe and Max Gray, who have been captured by the federal government and kept in a supersecret big terrarium since their space ship crashed near Roswell, New Mexico, back in 1947 (ah, Men in Black!). Then midnovel, the story plunges feet-first into fantasy with these two “Hesperians.” Which leads to a vast error on Steinberg’s part, in that he will disappoint hard-nosed thriller readers with the goopy turn of events while his playing it mainly for crashingly clichÇ melodrama fails to weigh thoughtfully what first contact with an alien culture means. Picaro is a terrific character; whenever he comes near a safe or a sensor, the tension holds brilliantly. And so, a fusion novel folds thriller out into a sentimental fantasy—but cutting-edge only if you like filet mignon under meringue.

Pub Date: March 1, 1999

ISBN: 0-385-49258-8

Page Count: 384

Publisher: Doubleday

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 1999

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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