Fans of Thompson’s music will enjoy the stories behind his career, but those new to his cool style may find it a little cold.

BEESWING

LOSING MY WAY AND FINDING MY VOICE 1967-1975

Memories from the early, fruitful era in the acclaimed musician’s career.

In his detailed memoir, British singer/songwriter and guitarist Thompson recounts his unexpected rise from rebellious teen to influential rocker with Fairport Convention; the duo he formed with his ex-wife, Linda Thompson; and as a solo artist. For anyone who has heard Thompson classics like “Walking on a Wire” or “I Want To See the Bright Lights Tonight,” it’s no surprise that he knows how to tell a story and turn a phrase. He offers plenty of insight into the early days of Fairport Convention and its ever changing lineup along with charming anecdotes about getting stopped by German customs agents for carrying laundry soap in his bag or how his family name went from Thomson to Thompson due to a printing error on a brass nameplate his great-grandfather bought for his front door. What about the author’s songwriting inspiration? “Parents, partners and friends rarely understand that staring blankly out of the window is an important part of the creative process, and only occasionally an excuse for doing nothing.” As the narrative progresses, it becomes clear that there are subjects he is happy to discuss—his quest for religious fulfillment or his career as a session musician—and those he is not, including his courting and breakup with Linda or his family life. The holes may not have been as noticeable if the text didn’t move chronologically, using albums and tours to move the narrative forward rather than the major events of his life. That combination leads to awkward placeholders like, “Linda had gone through a fairly routine pregnancy and had given birth to our daughter Muna a few months earlier,” that could have been emotional centerpieces.

Fans of Thompson’s music will enjoy the stories behind his career, but those new to his cool style may find it a little cold.

Pub Date: April 6, 2021

ISBN: 978-1-61620-895-0

Page Count: 304

Publisher: Algonquin

Review Posted Online: Feb. 2, 2021

Kirkus Reviews Issue: March 1, 2021

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The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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I'M GLAD MY MOM DIED

The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 31, 2022

Kirkus Reviews Issue: July 1, 2022

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A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

TANQUERAY

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 28, 2022

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