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IMAGES OF ENGLISH

A CULTURAL HISTORY OF THE LANGUAGE

Drawing on his vast erudition about the uses of language, Bailey (English Language and Literature/Univ. of Michigan), associate editor of the Oxford Companion to the English Language, describes the history of the cultural, social, political, and even psychological attitudes toward the English language. Starting with a discussion of what standard English is (the language spoken by educated people in the south of England, near London), he traces its history from the Norman Conquest in the ninth century through the influence of plagues, politics, prosperity, navigation, colonization, industry, scholarship, literature, even crime, each enriching and diversifying the language with new terms while provoking a reaction in those who chose to maintain or recover its purity, either real or imagined, and promote it as a universal language. Although English is particularly resistant to borrowings, it has been extremely influential, and Bailey's discussion of the effect of colonization on English is subtle, entertaining, and astute as he follows it in Ireland, Scotland, Africa, India, the Caribbean, and America, reaching into the 20th century and the fate of the language in the American colonization of the Pacific and through the subsequent wars. The nationalist movements in the various colonies and the political aspirations of various minorities such as Afro-Americans, feminists, and gays have challenged and enriched the language as they adapted it to their own purposes. Inevitable, purists have lamented these changes as symptomatic of social as well linguistic decline, and have cultivated a vision of English as a universal language—although less than 15% of the people in the world actually use it. For those interested in the social history of language, this book is exceptional, clear, and eloquent. Feminists will find Bailey's discussion of the masculine orientation of standard English particularly illuminating. (Twenty illustrations—not seen.)

Pub Date: Dec. 1, 1991

ISBN: 0-472-10283-4

Page Count: 280

Publisher: Univ. of Michigan

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1991

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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