Timely and engaging; a heroic environmental story well told.


A former Environmental Protection Agency attorney delivers an impassioned plea to fight pollution and climate change.

Both a memoir and an informed commentary, this debut book addresses pollution and climate change from an insider’s perspective. Emory, who spent much of his legal career working for the EPA, weaves together his personal story with observations that demonstrate why, when compared with Europe, the United States is largely lacking in its use of renewable energy and its response to climate change. The volume begins with something of a historical overview of environmental abuses and regulations. It also provides a laudatory look at the influential Rachel Carson, author of Silent Spring (1962), a book that “helped to move” the U.S. government from environmental “promoter to regulator” with the creation of the EPA in 1970. Emory’s real awakening to pollution came as a Maryland legislator when he “encountered frightful cases of toxic-waste dumping.” His battle against pollution in his state led to the author’s being hired by the EPA in 1980. Unfortunately, Emory was witness to political power plays inside and outside the agency; in 1993, he bravely filed a whistleblower suit against the EPA and was consequently demoted. The author relates this narrative with candor and selflessness, offering a behind-the-scenes peek at the ugly inner workings of the federal government. Still, he managed to redirect his career to work internationally on environmental issues. He and his wife flourished in France and Germany; living in Europe afforded Emory the opportunity to witness that continent’s advanced view of environmental regulation. The author writes eloquently and passionately about pollution and climate change throughout the book, showing how they converge. In the closing chapter, he provides an authoritative discussion of two powerful environmental tools: “adaptation” and “mitigation.” While lamenting the fact that the EPA was “deconstructed” in 2017, Emory optimistically sees hope for combating climate change in the future: “While my generation still does too little, younger generations, who are more thoughtful and alert now see this danger and are marching in demonstrations for immediate action.”

Timely and engaging; a heroic environmental story well told. (bibliography)

Pub Date: Dec. 5, 2019

ISBN: 978-1-64438-069-7

Page Count: 302

Publisher: Booklocker.com

Review Posted Online: April 22, 2020

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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A conversational, pleasurable look into McConaughey’s life and thought.

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All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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