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MEDICINE WALK

Name: MEDICINE WALK
Author: Richard Wagamese
ISBN: 978-1-57131-115-3

by Richard Wagamese ‧ RELEASE DATE: April 14, 2015

A powerful novel of hard men in hard country reminiscent of Jim Harrison’s Legends of the Fall.

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Wagamese (Dream Wheels, 2006, etc.) sends young Franklin Starlight on a "medicine walk," a journey of knowing, in this story about the nature of manhood.

Franklin’s been called to western Canada’s lumber-mill town of Parson’s Gap by his father, Eldon, who has lived "a life with benchmarks that only ever set out the boundaries of pain and loss, woe and regret, nothing to bring him comfort in his last days." Eldon’s dying. He wants Franklin to carry him into the mountains to "a ridge…sitt[ing] above a narrow valley with a high range behind it," a place Eldon once found peace. "I need you to bury me facing east...[s]itting up in the warrior way." His father ever absent, Franklin was raised by an old man with an unexplained connection to Eldon, a farmer who cherished him and taught him to cherish the land-centered ways of Franklin’s Ojibway and Cree people. Franklin is only 16, "big for his age, rawboned and angular…grown comfortable with aloneness and he bore an economy with words that was blunt, direct." Wagamese is a keen observer, sketching places ("stars in the thick purple swaddle of the sky") or people ("He leaned when he walked, canted at a hard angle to the right as though gravity worked with different properties on him") elegantly, economically, all while gracefully employing literary insight to deftly dissect blood ties lingering in fractured families. During the trek, Franklin finally learns about his father, "the story of him etched in blood and tears and departures as sudden as the snapping of a bone"—his own father dead in WWII; how he nearly killed his mother’s abusive boyfriend; his nightmarish Korean War experience; and his broken promises to Franklin’s mother.

A powerful novel of hard men in hard country reminiscent of Jim Harrison’s Legends of the Fall.

Pub Date: April 14, 2015

ISBN: 978-1-57131-115-3

Page Count: 256

Publisher: Milkweed

Review Posted Online: Jan. 20, 2015

Kirkus Reviews Issue: Feb. 1, 2015

Categories:

GENERAL FICTION

- BOOK REVIEW
FOR JOSHUA
by Richard Wagamese

- BOOK REVIEW
DREAM WHEELS
by Richard Wagamese

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SUMMER ISLAND

by Kristin Hannah ‧ RELEASE DATE: March 1, 2001

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

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Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:

GENERAL FICTION

- BOOK REVIEW
THE WOMEN
by Kristin Hannah

- BOOK REVIEW
THE FOUR WINDS
by Kristin Hannah

- BOOK REVIEW
THE GREAT ALONE
by Kristin Hannah

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LAST ORDERS

by Graham Swift ‧ RELEASE DATE: April 5, 1996

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Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.