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GOING BACK

A promising, often insightful first novel.

Watt’s debut novel traces the tangled legacies of a long-ago trip to Germany by British high school students.

In 1978, when Andrew was 15, he stayed with a host family while on a field trip to Germany. Now, in 2003, as he visits that country on business, he feels compelled to stir up the past and explore long-suppressed memories. He goes to see Matthias, the son of the host family, to ask some questions—particularly about Karla, Matthias’ older sister. As an awkward adolescent, Andrew was humiliated and angered by an encounter with her. It turns out that other students on the school trip are also still affected by it, including Anne, now Andrew’s ex-wife, and the free-spirited Clare, on whom Andrew has long had a crush. Through a series of visits and conversations, Watt’s characters come to new understandings of their relationships and of the significance of the events that marked them. The novel starts out very well; its structure expertly builds tension as the reader waits to discover more information, particularly about Karla. In the crucial scene between her and Andy, Watt beautifully and wrenchingly portrays the vulnerable boy’s deeply mixed feelings, and he nicely balances this first section with present-day and long-ago perspectives. The next section, the story of Anne, a sexually repressed, emotionally battened-down Englishwoman, lacks the freshness of the first, and the following section, about Matthias, is also not as strong. Watt handles his characters’ realizations naturalistically and insightfully; it’s a bit like gathering the characters in James Joyce’s 1914 short story “Araby” for a 25-year-reunion but without the power of that story’s limited perspective. The novel provides keen observations and excellent characterization throughout, but as it continues, its focus dissipates due to so many parallel events and the logistics of simply getting people together in one room to chat. Readers may also find that the final chapters’ easy resolutions smack a bit of wish fulfillment.

A promising, often insightful first novel.

Pub Date: May 24, 2013

ISBN: 978-0991924707

Page Count: 296

Publisher: CreateSpace

Review Posted Online: Dec. 18, 2013

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Mary's Song

From the Dream Horse Adventure Series series , Vol. 1

A short, simple, and sweet tale about two friends and a horse.

A novel tells the story of two spirited girls who set out to save a lame foal in 1952.

Mary, age 12, lacks muscle control of her legs and must use a wheelchair. Her life is constantly interrupted by trips with her widower father to assorted doctors, all of whom have failed to help her. Mary tolerates the treatments, hoping to one day walk unassisted, but her true passion involves horses. Possessing a library filled with horse books, she loves watching and drawing the animals at a neighboring farm. She longs to own one herself. But her father, overprotective due to her disability and his own lingering grief over Mary’s dead mother, makes her keep her distance. Mary befriends Laura, the emotionally neglected daughter of the wealthy neighboring farm owners, and the two share secret buggy rides. Both girls are attracted to Illusion, a beautiful red bay filly on the farm. Mary learns that Illusion is to be put down by a veterinarian because of a lame leg. Horrified, she decides to talk to the barn manager about the horse (“Isn’t it okay for her to live even if she’s not perfect? I think she deserves a chance”). Soon, Mary and Laura attempt to raise money to save Illusion. At the same time, Mary begins to gain control of her legs thanks to water therapy and secret therapeutic riding with Laura. There is indeed a great deal of poignancy in a story of a girl with a disability fighting to defend the intrinsic value of a lame animal. But this book, the first installment of the Dream Horse Adventure Series, would be twice as touching if Mary interacted with Illusion more. In the tale’s opening, she watches the foal from afar, but she actually spends very little time with the filly she tries so hard to protect. This turns out to be a strange development given the degree to which the narrative relies on her devotion. Count (Selah’s Sweet Dream, 2015) draws Mary and Laura in broad but believable strokes, defined mainly by their unrelenting pluckiness in the face of adversity. While the work tackles disability, death, and grief, Mary’s and Laura’s environments are so idyllic and their optimism and perseverance so remarkable that the story retains an aura of uncomplicated gentleness throughout.

A short, simple, and sweet tale about two friends and a horse.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Hastings Creations Group

Review Posted Online: Oct. 15, 2016

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ONCE UPON A GIRL

Therapeutic, moving verse from a promising new talent.

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Keridan’s poetry testifies to the pain of love and loss—and to the possibility of healing in the aftermath.

The literary critic Geoffrey Hartman once wrote that literature—and poetry, in particular—can help us “read the wound” of trauma. That is, it can allow one to express and explain one’s deepest hurts when everyday language fails. Keridan appears to have a similar understanding of poetry. She writes in “Foreword,” the opening work of her debut collection, that “pain frequently uses words as an escape route / (oh, how I know).” Many words—and a great deal of pain—escape in this volume, but the result is healing: “the ending is happy / the beginning was horrific / so let’s start there.” The book, then, tracks the process of recovery in the wake of suffering, and often, this suffering is brought on by romantic relationships gone wrong. An early untitled poem opens, “I die a little / taking pieces of me to feed the fire / that keeps him warm / you don’t notice that it’s a slow death / when you’re disappearing little by little.” The author’s imagery here—of the self fueling the dying fire of love—is simultaneously subtle and wrenching. But the poem’s message, amplified elsewhere in the book, is clear: We go wrong if we destructively give ourselves over to others, and healing comes only when we turn our energies back to our own good. Later poems, therefore, reveal that self-definition often equals strength. The process is painful but salutary; when “you’re left unprotected / surrounded by chaos with nothing you / can depend on / except yourself / and that’s when you gather the pieces / of the life you lost / and use them to build the life you want.” The “life you want” is an elusive goal, and the author knows that the path to self-definition is fraught with peril—but her collection may give strength to those who walk it.

Therapeutic, moving verse from a promising new talent.

Pub Date: Nov. 2, 2018

ISBN: 978-1-72770-538-6

Page Count: 196

Publisher: CreateSpace

Review Posted Online: Jan. 9, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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