by Rick Atkinson ‧ RELEASE DATE: May 14, 2019
A sturdy, swift-moving contribution to the popular literature of the American Revolution.
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The Pulitzer Prize–winning historian shifts his focus from modern battlefields to the conflict that founded the United States.
Atkinson (The Guns at Last Light: The War in Western Europe, 1944-1945, 2013, etc.) is a longtime master of the set piece: Soldiers move into place, usually not quite understanding why, and are put into motion against each other to bloody result. He doesn’t disappoint here, in the first of a promised trilogy on the Revolutionary War. As he writes of the Battle of Bunker Hill, for instance, “Charlestown burned and burned, painting the low clouds bright orange in what one diarist called ‘a sublime scene of military magnificence and ruin,’ ” even as snipers fired away and soldiers lay moaning in heaps on the ground. At Lexington, British officers were spun in circles by well-landed shots while American prisoners such as Ethan Allen languished in British camps and spies for both sides moved uneasily from line to line. There’s plenty of motion and carnage to keep the reader’s attention. Yet Atkinson also has a good command of the big-picture issues that sparked the revolt and fed its fire, from King George’s disdain of disorder to the hated effects of the Coercive Acts. As he writes, the Stamp Act was, among other things, an attempt to get American colonists to pay their fair share for the costs of their imperial defense (“a typical American…paid no more than sixpence a year in Crown taxes, compared to the average Englishman’s twenty-five shillings”). Despite a succession of early disasters and defeats, Atkinson clearly demonstrates, through revealing portraits of the commanders on both sides, how the colonials “outgeneraled” the British, whose army was generally understaffed and plagued by illness, desertion, and disaffection, even if “the American army had not been proficient in any general sense.” A bonus: Readers learn what it was that Paul Revere really hollered on his famed ride.
A sturdy, swift-moving contribution to the popular literature of the American Revolution.Pub Date: May 14, 2019
ISBN: 978-1-62779-043-7
Page Count: 800
Publisher: Henry Holt
Review Posted Online: Feb. 27, 2019
Kirkus Reviews Issue: March 15, 2019
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Tom Clavin ‧ RELEASE DATE: April 21, 2020
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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