Marco’s family brings him from Venice to Florence, where he is to be apprenticed to the great young master, Michelangelo Buonarroti. A second apprentice, Ridolfo, sneers at him and stymies Marco’s attempts to learn what he should be about. The young Michelangelo is fierce and volatile, rejecting the scarlet paint Marco makes from a secret family recipe, but adopting the glimmering green. Marco refuses to tell the artist the secrets of the recipe, and Michelangelo rewards his loyalty to his family by taking the boy to Rome where he will face Leonardo da Vinci in a competition. Jacobson definitely aims his story at older readers, but doesn’t tell a lot about the artist or about Renaissance art. An author’s note helps to fill in some detail, perhaps leading readers to want to learn more. Jacobson and Fernandez’s images are striking—the full-face close-up of Michelangelo wearing a hat, the brim of which is covered with candles so he could paint at night, is particularly riveting. A fascinating little tidbit that could be true, but is unsourced. (author’s note) (Picture book. 8-11)
Pub Date: March 11, 2008
ISBN: 978-0-88776-783-8
Page Count: 32
Publisher: Tundra Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2008
BOOK REVIEW
Prose poems celebrate the feats of young heroines, some of them famous, and some not as well-known. Paul (Hello Toes! Hello Feet!, 1998, etc.) recounts moments in the lives of women such as Rachel Carson, Amelia Earhart, and Wilma Rudolph; these moments don’t necessarily reflect what made them famous as much as they are pivotal events in their youth that influenced the direction of their lives. For Earhart, it was sliding down the roof of the tool shed in a home-made roller coaster: “It’s like flying!” For Rudolph, it was the struggle to learn to walk without her foot brace. Other women, such as Violet Sheehy, who rescued her family from a fire in Hinckley, Minnesota, or Harriet Hanson, a union supporter in the fabric mills of Massachusetts, are celebrated for their brave decisions made under extreme duress. Steirnagle’s sweeping paintings powerfully exude the strength of character exhibited by these young women. A commemorative book, that honors both quiet and noisy acts of heroism. (Picture book/poetry. 6-9)
Pub Date: Nov. 1, 1999
ISBN: 0-15-201477-2
Page Count: 40
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Ringgold’s biography of Rosa Parks packs substantial material into a few pages, but with a light touch, and with the ring of authenticity that gives her act of weary resistance all the respect it deserves. Narrating the book is the bus that Parks took that morning 45 years ago; it recounts the signal events in Parks’s life to a young girl who boarded it to go to school. A decent amount of the material will probably be new to children, for Parks is so intimately associated with the Montgomery Bus Boycott that her work with the NAACP before the bus incident is often overlooked, as is her later role as a community activist in Detroit with Congressman John Conyers. Ringgold, through the bus, also informs readers of Parks’s youth in rural Alabama, where Klansmen and nightriders struck fear into the lives of African-Americans. These experiences make her refusal to release her seat all the more courageous, for the consequences of resistance were not gentle. All the events are depicted in emotive naive artwork that underscores their truth; Ringgold delivers Parks’s story without hyperbole, but rather as a life lived with pride, conviction, and consequence. (Picture book/biography. 5-9)
Pub Date: Nov. 1, 1999
ISBN: 0-689-81892-0
Page Count: 32
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
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