An immersive and satisfying science fiction thriller.
A woman wakes up in a body not her own in this novel from Moskovitz (A Stand-in for Dying, 2019), the second in his Brink of Life trilogy.
January 2059. After somehow losing consciousness, a woman comes to at a funeral—the funeral of her husband, Arlo Kresky. The only problem? She’s never seen the man said to be her husband. Indeed, when she gets in front of a mirror, she’s never before seen the person looking back at her, either: “It was a pretty face. Some might say exquisite. Her hair was jet black and straight, falling almost to her shoulders….Even after this close inspection, there wasn’t a trace of familiarity. The face in the mirror remained a stranger.” She is apparently the widow Petra Kresky, but she does not associate this beautiful, bruise-covered woman with herself. Is she suffering from amnesia? No, because she does have a sense of her former self and of a woman named Macklyn. She learns from her household android that Petra, despite being 42, is kept at the biological age of 20 by some mysterious technology. She also discovers that the dead Arlo was obsessed with immortality and that Petra has been carrying on an affair with Arlo’s hired biographer, Connor. As she digs into the truth of her identity, she uncovers a truly remarkable web of secrets: a clandestine program to keep the rich young forever, a government spy organization, and an anti-immortality hacker group bent on bringing it all down. Moskovitz tells the story with urgent concision, his prose brisk and clear: “She disembarked and melted quickly into a rush hour crowd, hurrying home or to their chosen entertainment of the evening. The sides of skyscrapers were lit with images from the day’s events. She stopped short in front of one such display that featured an image of Connor rising eight stories high.” This makes the story a quicker and more satisfying read than even the previous volume in the series (which is related to this one but not necessary to have read to understand it). With his thoughtful exploration of the ethical consequences of technology and class division, Moskovitz offers another sci-fi morality tale in the tradition of Philip K. Dick and Black Mirror.
An immersive and satisfying science fiction thriller.Pub Date: Nov. 2, 2019
ISBN: 978-1-73417-891-3
Page Count: 160
Publisher: Fluke Tale Productions
Review Posted Online: Jan. 27, 2020
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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