A satisfying bridge, setting up for the next in the series
Apollo’s mortifying punishment continues as he battles a notorious historical villain while in pursuit of an Oracle.
Apollo (still trapped in the body of a teenage boy) finds his way out of a terrifying underground labyrinth with his demigod master, green-thumbed Meg McCaffrey (she’s a daughter of Demeter), only to find himself in a tense Southern California desertscape. The state has been plagued with droughts and wildfires, and climate change isn’t the only thing to blame. As in most of Riordan’s mythology novels, Apollo and his friends must fight their way through a variety of challenges, meeting gods, monsters, and spirits along the way. In this installment the main allies are dryads, a welcome spot of green in the desert. Caligula (“Little Boots”) is a mastermind of unparalleled sadism. The captive Oracle Herophile contrasts effectively with the power and determination of Medea. “Power,” Apollo muses, “makes good people uneasy rather than joyful or boastful. That’s why good people so rarely rise to power.” He continues to grow as a sympathetic narrator, his egotism and vanity slowly giving way to humility and self-sacrifice. His flashes of vulnerability, especially around the reminder of his long-departed lover Hyacinthus, are endearing—but the constant deprecating references to his “flabby” and “softly curved…in all the wrong ways” reinforce tiresome body-image assumptions. The book assumes a white default, though some secondary characters are not white.
A satisfying bridge, setting up for the next in the series . (Fantasy. 10-14)Pub Date: May 1, 2018
ISBN: 978-1-4847-4643-1
Page Count: 448
Publisher: Disney-Hyperion
Review Posted Online: May 14, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A sly, side-splitting hoot from start to finish.
The dreary prospect of spending a lifetime making caskets instead of wonderful inventions prompts a young orphan to snatch up his little sister and flee. Where? To the circus, of course.
Fortunately or otherwise, John and 6-year-old Page join up with Boz—sometime human cannonball for the seedy Wandering Wayfarers and a “vertically challenged” trickster with a fantastic gift for sowing chaos. Alas, the budding engineer barely has time to settle in to begin work on an experimental circus wagon powered by chicken poop and dubbed (with questionable forethought) the Autopsy. The hot pursuit of malign and indomitable Great-Aunt Beauregard, the Coggins’ only living relative, forces all three to leave the troupe for further flights and misadventures. Teele spins her adventure around a sturdy protagonist whose love for his little sister is matched only by his fierce desire for something better in life for them both and tucks in an outstanding supporting cast featuring several notably strong-minded, independent women (Page, whose glare “would kill spiders dead,” not least among them). Better yet, in Boz she has created a scene-stealing force of nature, a free spirit who’s never happier than when he’s stirring up mischief. A climactic clutch culminating in a magnificently destructive display of fireworks leaves the Coggin sibs well-positioned for bright futures. (Illustrations not seen.)
A sly, side-splitting hoot from start to finish. (Adventure. 11-13)Pub Date: April 12, 2016
ISBN: 978-0-06-234510-3
Page Count: 352
Publisher: Walden Pond Press/HarperCollins
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
BOOK REVIEW
Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense.
In the midst of political turmoil, how do you escape the only country that you’ve ever known and navigate a new life? Parallel stories of three different middle school–aged refugees—Josef from Nazi Germany in 1938, Isabel from 1994 Cuba, and Mahmoud from 2015 Aleppo—eventually intertwine for maximum impact.
Three countries, three time periods, three brave protagonists. Yet these three refugee odysseys have so much in common. Each traverses a landscape ruled by a dictator and must balance freedom, family, and responsibility. Each initially leaves by boat, struggles between visibility and invisibility, copes with repeated obstacles and heart-wrenching loss, and gains resilience in the process. Each third-person narrative offers an accessible look at migration under duress, in which the behavior of familiar adults changes unpredictably, strangers exploit the vulnerabilities of transients, and circumstances seem driven by random luck. Mahmoud eventually concludes that visibility is best: “See us….Hear us. Help us.” With this book, Gratz accomplishes a feat that is nothing short of brilliant, offering a skillfully wrought narrative laced with global and intergenerational reverberations that signal hope for the future. Excellent for older middle grade and above in classrooms, book groups, and/or communities looking to increase empathy for new and existing arrivals from afar.
Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense. (maps, author’s note) (Historical fiction. 10-14)Pub Date: July 25, 2017
ISBN: 978-0-545-88083-1
Page Count: 352
Publisher: Scholastic
Review Posted Online: May 9, 2017
Kirkus Reviews Issue: June 1, 2017
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