From the Percy Jackson and the Olympians series , Vol. 1

Edgar Award–winning Riordan leaves the adult world of mystery to begin a fantasy series for younger readers. Twelve-year-old Percy (full name, Perseus) Jackson has attended six schools in six years. Officially diagnosed with ADHD, his lack of self-control gets him in trouble again and again. What if it isn’t his fault? What if all the outrageous incidents that get him kicked out of school are the result of his being a “half-blood,” the product of a relationship between a human and a Greek god? Could it be true that his math teacher Mrs. Dodds transformed into a shriveled hag with bat wings, a Fury, and was trying to kill him? Did he really vanquish her with a pen that turned into a sword? One need not be an expert in Greek mythology to enjoy Percy’s journey to retrieve Zeus’s master bolt from the Underworld, but those who are familiar with the deities and demi-gods will have many an ah-ha moment. Along the way, Percy and his cohort run into Medusa, Cerberus and Pan, among others. The sardonic tone of the narrator’s voice lends a refreshing air of realism to this riotously paced quest tale of heroism that questions the realities of our world, family, friendship and loyalty. (Fantasy. 12-15)

Pub Date: July 1, 2005

ISBN: 0-7868-5629-7

Page Count: 384

Publisher: Hyperion

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 15, 2005

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A well-knit debut generously stocked with chills, thrills, and chancy exploits.


A young British teenager’s ordinary world takes a sudden spin to the dark side with the arrival of an antique toy robot that turns out to conceal a terrible, and terrifying, power.

Hardly has Alex unpacked the robot sent by his grandfather than he cuts himself on a sharp edge so that a little blood seeps into its workings. Cue the weirdness, starting with a homework assignment he doesn’t remember finishing and a bully who inexplicably beats a sudden retreat. It quickly escalates into a headlong flight with his grandad and a running fight with a squad of varied but uniformly scary automatons fueled themselves by blood. What’s up? Alex’s robot, it turns out, was crafted to hide a tablet inscribed with the secret name of God that Rabbi Loew used to animate his legendary golem…and nefarious parties are out to revive the clay monster for—well, nothing good. Confused, terror-stricken, and inarticulate throughout, Alex comes off as a pale character next to his creepy adversaries and, in particular, his dapper, glib, secretive, martially adroit, scene-stealing grandfather. Still, as events move along apace, he proves surprisingly resourceful. Love tucks in plenty of icky bits, along with cinematic set pieces and hairbreadth escapes, and he strews enough tantalizing hints about his protagonist’s murky past to excite interest in sequels. The human cast presents white.

A well-knit debut generously stocked with chills, thrills, and chancy exploits. (Horror/suspense/fantasy. 12-14)

Pub Date: Oct. 16, 2018

ISBN: 978-0-451-47858-0

Page Count: 320

Publisher: Viking

Review Posted Online: Sept. 2, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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A wrenching piece with a wisp of hope for the protagonists if not for the rest of their world.


With severe drought, child enslavement, and multiple shootings of people and dogs, this slim volume isn’t for the faint of heart, though it repays those who soldier on.

In an unspecified African “place of dust and death,” in a story somewhere between realism and fable, Nandi the dog narrates an opening scene in which Sarel sees her parents gunned down. The gunmen, failing to find a water source, set the house afire and depart, leaving Sarel orphaned on her desert homestead. An underground grotto with a well sustains Sarel and her pack of dogs—fully family to her—while they recover from smoke inhalation and bullet wounds. In a nearby city, Musa sits in chains, taken outdoors only when gunmen (those who shot Sarel’s parents) need a dowser—Musa hears a buzz in his skull when water’s nearby. One generation ago, there were faucets and lawn sprinklers; now, gangs kill for a water bottle. When Musa escapes and Sarel’s well runs dry, the tale’s fablelike nature makes their meeting inevitable, even in the desert. The narration uses primarily Sarel’s and Musa’s perspectives, describing nature sparely and vividly. Thirst and heat are palpable as kids and dogs fight fatal dehydration. Occasionally, Nandi narrates, in broken English more distracting than doglike.

A wrenching piece with a wisp of hope for the protagonists if not for the rest of their world. (Fiction. 12-14)

Pub Date: June 4, 2013

ISBN: 978-0-547-97651-8

Page Count: 160

Publisher: Harcourt

Review Posted Online: April 15, 2013

Kirkus Reviews Issue: May 1, 2013

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