Whether young readers recognize the relationship to the Parisian version or not, adults will appreciate the clever yet silly...

FRANKENSTEIN

Just in time for Halloween, Walton and Hale (Twelve Bots of Christmas, 2010) combine their talents to become “Ludworst Bemonster,” author of a droll parody of Ludwig Bemelmans’ Madeline.

Mimicking the rhyme and pacing of the beloved classic, they introduce readers to “twelve ugly monsters. / In two crooked lines, they bonked their heads, / pulled out their teeth, / and wet their beds.” It will surprise no one to learn that the “ugliest one was Frankenstein. / He scared people out of their socks. / He could even frighten rocks.” He proves particularly challenging to Miss Devel, who late one night finds the green monster without his head. Off he goes with Dr. Bone in a horse-skeleton–drawn hearse. When the monstrous menagerie visits him at the laboratory, most “eeeeew”-inducing are the “two huge new screws” on Frankenstein’s neck. The tale leaves Miss Devel to find the remaining rambunctious monsters completely silent…because “Each had lost his head!” The illustrations have traded sunny yellow for pumpkin orange backgrounds and make comically sly allusions to the original title.

Whether young readers recognize the relationship to the Parisian version or not, adults will appreciate the clever yet silly send-up. Most children, however, will see this as just another funny monster book. (Picture book. 4-7)

Pub Date: July 17, 2012

ISBN: 978-0-312-55366-1

Page Count: 48

Publisher: Feiwel & Friends

Review Posted Online: July 18, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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As ephemeral as a valentine.

LOVE FROM THE CRAYONS

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 2, 2021

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Sugary uplift, shrink-wrapped for the masses.

HOW TO CATCH A LOVEOSAURUS

From the How To Catch… series

An elusive new quarry leads the How To Catch… kids on a merry chase through a natural history museum.

Taking at least a step away from the “hunters versus prey” vibe of previous entries in the popular series, the racially diverse group of young visitors dashes through various museum halls in pursuit of the eponymous dino—whose quest to “spread kindness and joy ’round the world” takes the form of a mildly tumultuous museum tour. In most of Elkerton’s overly sweet, color-saturated scenes, only portions of the Loveosaurus, who is purple and covered with pink hearts, are visible behind exhibits or lumbering off the page. But the children find small enticements left behind, from craft supplies to make cards for endangered species to pictures of smiley faces, candy heart–style personal notes (“You Rock!” “Give Hugs”), and, in the hall of medieval arms and armor, a sign urging them to “Be Honest Be Kind.” The somewhat heavy-handed lesson comes through loud and clear. “There’s a message, he wants us to think,” hints Walstead to clue in more obtuse readers…and concluding scenes of smiling people young and otherwise exchanging hugs and knuckle bumps, holding doors for a wheelchair rider, and dancing through clouds of sparkles indicate that they, at least, have gotten it. (This book was reviewed digitally.)

Sugary uplift, shrink-wrapped for the masses. (Picture book. 5-7)

Pub Date: Dec. 6, 2022

ISBN: 9781728268781

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: Jan. 18, 2023

Kirkus Reviews Issue: Feb. 15, 2023

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