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AT THE END OF THE ROAD

A BABY BOOMER IN RURAL KENTUCKY

Meandering forays into the past that will likely appeal to those yearning for a slice of the old days.

A debut collection of short stories and essays mostly focuses on the author’s childhood in rural Kentucky but also strays into fiction.

Ashby, the titular baby boomer, grew up on a farm in Walton Creek, Kentucky, and the memory of this place informs his writing. The opener sees the author reflecting on his past as his plane taxis, thinking back to his farm and marveling at “how I got from such a simple beginning to this point in life.” He sees a nearly universal longing for the past reflected in a plain stick house, a notion that he links to the works of Thoreau, Twain, and Frost. He follows this theme of remembrance throughout the volume. In the next story, Ashby personifies an unnamed U.S. creek, reflecting on the natural world’s destruction by European colonists and, eventually, Americans. He returns to the wild in another anthropomorphic tale in which he converses with a snake before a chorus of nearby animals joins in, giving its perspective on humanity’s foolishness. The rest of the stories explore Ashby’s rural beginnings, often using one object to illuminate a larger point about modern society. In “Heirlooms and Poke Greens,” he humorously discusses how he eats dangerous vegetables despite society’s condemnation. He examines the uses of buckets in the old country in “The Water Bucket” and the rituals of washing and cleaning in “Dishpans and Rayon Mops.” The most intriguing tales involve the author’s childhood, from the light “The Chismus Cake,” about a disappointing fruitcake, to the heavier “My Old Friend,” which relates how Ashby and his dog made regular sojourns to the woods to deal with his father’s declining health. The author’s folksy register makes the book a quick read, but the themes start to become repetitive. Many of the tales compare how things were done in earlier decades to present practices. The sections on Ashby’s family are moving, but they are sandwiched between his peculiar fixations on old objects, which can create strange emotional swings. But the work’s ultimate philosophy remains hopeful; despite Ashby’s denouncements of the modern era, there is a belief that things will eventually get better.

Meandering forays into the past that will likely appeal to those yearning for a slice of the old days.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Acclaim Press

Review Posted Online: Nov. 16, 2017

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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