by Rii Abrego & Joe Whitt ; illustrated by Rii Abrego & Crank! ‧ RELEASE DATE: May 4, 2021
A feel-good fantasy of flowering friendship.
A sprite nurtures both confidence and community as she embraces magic.
Sprites once looked after and nurtured all plant life. Once humans appeared in this corner of suburbia, taking on landscaping duties, the sprites stepped back, but they still revel in the glories of gardens. New to the neighborhood of Sylvan Trace, sprite Wisteria quickly gets an introduction to the best backyards. Although the sprite crew is welcoming, she can’t help but feel a little left out and decides to do some of her own exploring. Stumbling upon a notoriously poorly maintained garden on Meadowgreen Drive, Wisteria uses her magic to help it along, finding delight both in her work and in the child resident’s joy. In a sense, young human Elena—who meets Wisteria in the now flourishing garden—is new as well. She’s been trying her best to rescue the garden her overworked mom has neglected. Both sprite and gardener recognize that they’re better off working together. This gentle story is full of charm and is an affirming tale of teamwork, initiative, and determination. The detailed linework in combination with the retro color palette of pinks, oranges, purples, and greens create an expressive tone that supports the narrative. Wonderfully emotive faces charmingly convey character and lush surroundings, and interesting angles capture the awe of nature. The cast of sprites and humans displays a wide range of physical appearances.
A feel-good fantasy of flowering friendship. (design notes) (Graphic fantasy. 10-18)Pub Date: May 4, 2021
ISBN: 978-1-62010-906-9
Page Count: 88
Publisher: Oni Press
Review Posted Online: April 13, 2021
Kirkus Reviews Issue: May 1, 2021
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by Talia Dutton ; illustrated by Talia Dutton ‧ RELEASE DATE: June 28, 2022
Electrifying, swiftly moving, and full of life.
A Frankenstein-inspired graphic novel that explores how expectations get in the way of creation.
Grief-stricken and remorseful, scientist Frances “Frankie” Ai attempts to resurrect her younger sister, Maura, several months after she died in an experiment gone awry. After taking apart Maura’s body, stitching her up, and jolting her with a lightning-powered contraption in their home laboratory, Frances awakens a monster. She is surprised to discover that the monster, M, has no memory of her sister’s life before the accident. Though M and Gin Ivanov, Frances’ nonbinary spouse, have their reservations, Frances is determined to keep trying to bring back the sister she remembers. Settling into Maura’s old bedroom, the monster is startled by Maura’s ghost—whom only she is able to see—emerging from a mirror and announcing that M is wearing her body. The ghost agrees to help the monster behave more like Maura in order to stop Frances from taking her apart again. In exchange, Maura’s ghost can continue her research, talk to Frances, and live vicariously through M. Dutton pairs her rich storytelling and expressive characters with bold illustrations that evoke the mid-20th century and are executed in a palette of teal, black, and white. Sewn up with a powerful ending, this debut is a deftly paced, satisfying read. The Ai sisters read as Chinese; Gin appears White.
Electrifying, swiftly moving, and full of life. (Graphic science fiction. 12-18)Pub Date: June 28, 2022
ISBN: 978-1-4197-6220-8
Page Count: 224
Publisher: Surely Books/Abrams ComicArts
Review Posted Online: April 26, 2022
Kirkus Reviews Issue: May 15, 2022
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by Kiku Hughes ; illustrated by Kiku Hughes ‧ RELEASE DATE: Aug. 18, 2020
A timely and well-paced story of personal discovery.
Time travel brings a girl closer to someone she’s never known.
Sixteen-year-old Kiku, who is Japanese and white, only knows bits and pieces of her family history. While on a trip with her mother to San Francisco from their Seattle home, they search for her grandmother’s childhood home. While waiting for her mother, who goes inside to explore the mall now standing there, a mysterious fog envelops Kiku and displaces her to a theater in the past where a girl is playing the violin. The gifted musician is Ernestina Teranishi, who Kiku later confirms is her late grandmother. To Kiku’s dismay, the fog continues to transport her, eventually dropping her down next door to Ernestina’s family in a World War II Japanese American internment camp. The clean illustrations in soothing browns and blues convey the characters’ intense emotions. Hughes takes inspiration from her own family’s story, deftly balancing complicated national history with explorations of cultural dislocation and biracial identity. As Kiku processes her experiences, Hughes draws parallels to President Donald Trump’s Muslim ban and the incarceration of migrant children. The emotional connection between Kiku and her grandmother is underdeveloped; despite their being neighbors, Ernestina appears briefly and feels elusive to both Kiku and readers up to the very end. Despite some loose ends, readers will gain insights to the Japanese American incarceration and feel called to activism.
A timely and well-paced story of personal discovery. (photographs, author’s note, glossary, further reading) (Graphic historical fantasy. 12-16)Pub Date: Aug. 18, 2020
ISBN: 978-1-250-19353-7
Page Count: 288
Publisher: First Second
Review Posted Online: May 16, 2020
Kirkus Reviews Issue: June 1, 2020
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