In Finnish author Pulkkinen’s first novel to be translated into English, a dying woman and her family become a prism illuminating love from a variety of often-uncomfortable angles.
Child psychologist Elsa and artist Martti Ahlqvist have had a long, apparently successful marriage. Their only child, Eleonoora, is a tirelessly efficient doctor with an understanding husband and two grown daughters of her own. In the final stage of terminal cancer Elsa comes home from the hospital to live her last days to the fullest. When Eleonoora’s older daughter Anna, an emotionally troubled graduate student, comes to visit and give Martti a few free hours, Elsa arranges to picnic and play dress-up as they did when Anna was a child. But the dress Anna puts on never belonged to her grandmother. A surprised Elsa explains it belonged to a woman named Eeva. Eeva was Eleonoora’s nanny, hired so that Elsa could leave her very young daughter for weeks at a time while traveling for her career. Eeva also became Martti’s lover. As the characters remember or imagine Eeva’s life, she becomes a receptacle for all the forms love has taken in their lives. Imagining Eeva’s passion for Martti and Eleonoora as a child, Anna is influenced by her own unshakable sense of loss as she continues to miss the child of a former lover. Eleonoora, who does not consciously remember Eeva, has co-mingled memories of mother and nanny, but her deep-rooted fear of abandonment keeps her emotionally wary. Even now, while dreading a life without Elsa, whom he has truly loved, Martti remembers Eeva with a mixture of longing and remorse. How much guilt should Martti, or Elsa, feel for what ultimately happened? Is blame even relevant? Was the nanny a surrogate wife and mother or a usurper? Eeva remains tantalizingly elusive as she becomes more real, a girl from the country swept up by the cultural changes of the 1960s. The emotional intelligence of the prose avoids melodrama to develop authentic poignancy.
Pub Date: March 20, 2012
ISBN: 978-1-59051-500-6
Page Count: 368
Publisher: Other Press
Review Posted Online: Feb. 4, 2012
Kirkus Reviews Issue: Feb. 15, 2012
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
Morrison traces the shifting shapes of suffering and mythic accommodations, through the shell of psychosis to the core of a...
Morrison's truly majestic fifth novel—strong and intricate in craft; devastating in impact.
Set in post-Civil War Ohio, this is the story of how former slaves, psychically crippled by years of outrage to their bodies and their humanity, attempt to "beat back the past," while the ghosts and wounds of that past ravage the present. The Ohio house where Sethe and her second daughter, 10-year-old Denver, live in 1873 is "spiteful. Full of a [dead] baby's venom." Sethe's mother-in-law, a good woman who preached freedom to slave minds, has died grieving. It was she who nursed Sethe, the runaway—near death with a newborn—and gave her a brief spell of contentment when Sethe was reunited with her two boys and first baby daughter. But the boys have by now run off, scared, and the murdered first daughter "has palsied the house" with rage. Then to the possessed house comes Paul D., one of the "Pauls" who, along with Sethe, had been a slave on the "Sweet Home" plantation under two owners—one "enlightened," one vicious. (But was there much difference between them?) Sethe will honor Paul D.'s humiliated manhood; Paul D. will banish Sethe's ghost, and hear her stories from the past. But the one story she does not tell him will later drive him away—as it drove away her boys, and as it drove away the neighbors. Before he leaves, Paul D. will be baffled and anxious about Sethe's devotion to the strange, scattered and beautiful lost girl, "Beloved." Then, isolated and alone together for years, the three women will cling to one another as mother, daughter, and sister—found at last and redeemed. Finally, the ex-slave community, rebuilding on ashes, will intervene, and Beloved's tortured vision of a mother's love—refracted through a short nightmare life—will end with her death.
Morrison traces the shifting shapes of suffering and mythic accommodations, through the shell of psychosis to the core of a victim's dark violence, with a lyrical insistence and a clear sense of the time when a beleaguered peoples' "only grace...was the grace they could imagine."Pub Date: Sept. 16, 1987
ISBN: 9781400033416
Page Count: 352
Publisher: Knopf
Review Posted Online: Sept. 29, 2011
Kirkus Reviews Issue: Aug. 15, 1987
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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