A heart song for all readers who have ever felt like strangers in their own skins

NOTEWORTHY

Redgate deftly harmonizes a lighthearted plot with an exploration of privilege, identity, and personal agency.

Jordan Sun is a Chinese-American high school junior from a working-poor family who feels a bit out of place at her prestigious, arts-focused boarding school in upstate New York. Though the school’s diversity policy is bringing in more students from minority backgrounds, most of her classmates are still wealthy and white. After continued rejection for roles in the theater department, Jordan decides to try her hand at something new and joins one of the school’s legendary a cappella groups: a traditionally all-male one. To audition, Jordan adopts the male persona of Julian, and when Julian is accepted to fill a tenor spot with the group, Jordan must slip into the role of her life. As a first-person narrator, Jordan is often dryly sarcastic, but it is her lyrical prose that brings depth and empathy to a story that could otherwise be another needless riff on the cross-dressing trope. “It’s too simple to hate the people who have doorways where you have walls,” she reflects. Wearing Julian’s identity causes Jordan to question her assumptions regarding femininity, masculinity, and sexuality. Jordan ultimately shatters her own self-limiting expectations and in doing so encourages readers to do likewise.

A heart song for all readers who have ever felt like strangers in their own skins . (Fiction. 13-18)

Pub Date: May 2, 2017

ISBN: 978-1-4197-2373-5

Page Count: 400

Publisher: Amulet/Abrams

Review Posted Online: March 6, 2017

Kirkus Reviews Issue: March 15, 2017

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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A crackerjack thriller done in by its own dopey protagonist.

LOCK THE DOORS

A blended family seeks a fresh start in a new home.

Tom’s mother believes that the family may have finally found happiness. After years of dating losers, she’s finally settled down with a nice guy—and that nice guy, Jay, happens to have a daughter, Nia, who is just a little older than Tom. The new family has moved into a nice new house, but Tom can’t shake the feeling that something’s wrong. They discover a strange message written on the wall when they are stripping the old wallpaper, and there’s clear evidence that the previous owners had installed locks on the exteriors of the bedroom doors. Those previous owners happen to live a little farther down the street, and Tom quickly becomes obsessed with their teenage daughter, Amy, and the secrets she’s hiding. This obsession unfortunately becomes a repetitive slog involving many pages of Tom’s brooding and sulking over the same bits of information while everyone tells him to move on. Readers will be on everyone’s side. But then, a blessed breath of fresh air: The perspective shifts to Amy, and readers learn in spectacularly propulsive fashion exactly what she’s hiding. Regret and intrigue blend perfectly as Amy divulges her secrets. Alas, we return to navel-gazing Tom for the book’s final pages, and everything ends with a shrug. Main characters default to White.

A crackerjack thriller done in by its own dopey protagonist. (Thriller. 14-18)

Pub Date: March 1, 2022

ISBN: 978-1-72823-189-1

Page Count: 400

Publisher: Sourcebooks Fire

Review Posted Online: Dec. 15, 2021

Kirkus Reviews Issue: Jan. 1, 2022

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