Chock-full of surprises, insight, and learning opportunities.



A collection features oddities from around the world and bizarre facts amassed during the last 100 years.

Readers with a penchant for unusual things will find a bevy of them in this oversized, full-color collection compiled by Ripley’s Believe It or Not! (Odd Is Art, 2018, etc.). The book is divided into broad categories that frequently merge, including animals, pop culture, and people. An extensive index, however, can point readers to more specific subjects, like fashion or rooster snake killer. Many of the tidbits in the volume are food-related. A resort in Mexico, for example, offers a primo taco with caviar, lobster, and more for patrons willing to shell out $25,000. In Palau, Micronesia, fruit bat soup comes with broth and the entire creature. And in 2017, a no-hands, yak yogurt drinking contest took place in China. But the assemblage by the 100-year-old Ripley franchise also showcases remarkable people and animals. Short, intermittent interviews spotlight individuals such as Alabamian Lucy Gafford, who dabbles in shower-hair art, and Laetitia Ky of Abidjan, Africa, who sculpts her hair into shapes or hand gestures. Other species are curious as well: Officials in Bangkok put a wild macaque monkey on a strict diet after tourists’ leftover junk food precipitated his obesity; and mantis shrimp have a punch that’s faster than humans can blink. Even pop culture often astounds: A honey bun resembles the titular alien of the 1982 film E.T.; and William Moulton Marston, inventor of the polygraph machine, also created Wonder Woman. The educational value of this collection is without question. While details on animals, culture, etc. come in brief, singular paragraphs, they are informative and will surely send readers, young and old alike, to the internet to learn more. The prose is particularly respectful of the variety of cultures and figures throughout but is occasionally tongue-in-cheek. For instance, a write-up on open-air urinals in Chongqing, China, warns readers to “Pee afraid. Pee very afraid.” Similarly, the story of World War II spy Virginia Hall, who had a prosthetic leg, stresses that she escaped Nazi-occupied France on foot. Despite a good deal of contemporary trivia (from the previous year or two), much of the material, as the title implies, covers the last century. Information on the Towers of Silence, where Zoroastrians in Iran and India have long placed their dead for vultures to pick apart, is even accompanied by a 1926 sketch by company founder, Robert Ripley. There’s little wasted space on the pages of the coffee-table book, which boasts an abundance of vibrant photographs. Sometimes they’re shocking, like making a spiderlike fly larger than life or offering a close-up of an Ethiopian tribe’s annual stick fight, particularly the pre-event consumption of cow blood. But the pictures are more often astonishingly beautiful: A two-page display of the Kite Festival in Guatemala is a veritable explosion of giant, multicolored kites. The volume likewise takes advantage of new media. Some stories focus on YouTubers and Instagrammers while a recurring section, “Your Uploads,” are tales that readers have submitted.

Chock-full of surprises, insight, and learning opportunities.

Pub Date: Aug. 28, 2018

ISBN: 978-1-60991-217-8

Page Count: 256

Publisher: Ripley Publishing

Review Posted Online: Oct. 22, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...



Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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