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BLACK ANGELS

Narrator 11-year-old Celli lives in segregated Macon, Georgia, with her mother and brother; her father left years earlier. Celli also considers Sophie, an outspoken African-American woman who cooks and cleans for them, to be a part of the family. In 1961, when Celli's mother leaves for a month, Sophie takes care of the children. One evening she takes Celli to a church meeting where the congregation is planning a visit from the Freedom Riders. The resulting civil-rights demonstration lands Sophie in jail and pushes Celli into helping a man pursued by the Klan. Celli also meets, for the first time, her Ohio grandmother who has come with the Freedom Riders. The girl is shocked that her grandmother is African-American and even more shocked to learn that this means her light-skinned father was, too. Celli's rather too-quick adjustment to these surprises can only be explained by her relationship with Sophie and for all its drama, the story falls short of engaging the reader emotionally. The well-intentioned exploration of civil rights and racial identity tends to override the development of the characters, who remain largely one-dimensional, while strained elements of magical realism reinforce the reader's distance. Celli opens her story by describing angels that only she sees, as "Three naked black girls with creamy white wings, throwing stones on my hopscotch board." The angels appear most days, eating angel food, picking blossoms, and, near the end, playing poker on the garage roof. Murphy's strong lyrical writing was used to far better effect in her first novel, Night Flying (2000), where the magical realism was well integrated into the story. Here she has tackled tough issues in too-little depth, with symbolism that obscures rather than enlightens. Still, the story itself is a good one and has its own rewards. (Fiction. 10-13)

Pub Date: March 1, 2001

ISBN: 0-385-32776-5

Page Count: 154

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2001

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THE BABE AND I

Adler (also with Widener, Lou Gehrig, 1997, etc.) sets his fictional story during the week of July 14, 1932, in the Bronx, when the news items that figure in this tale happened. A boy gets a dime for his birthday, instead of the bicycle he longs for, because it is the Great Depression, and everyone who lives in his neighborhood is poor. While helping his friend Jacob sell newspapers, he discovers that his own father, who leaves the house with a briefcase each day, is selling apples on Webster Avenue along with the other unemployed folk. Jacob takes the narrator to Yankee Stadium with the papers, and people don’t want to hear about the Coney Island fire or the boy who stole so he could get something to eat in jail. They want to hear about Babe Ruth and his 25th homer. As days pass, the narrator keeps selling papers, until the astonishing day when Ruth himself buys a paper from the boy with a five-dollar bill and tells him to keep the change. The acrylic paintings bask in the glow of a storied time, where even row houses and the elevated train have a warm, solid presence. The stadium and Webster Avenue are monuments of memory rather than reality in a style that echoes Thomas Hart Benton’s strong color and exaggerated figures. (Picture book. 5-9)

Pub Date: April 1, 1999

ISBN: 0-15-201378-4

Page Count: 32

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

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THE LION AND THE UNICORN

From Hughes (Enchantment in the Garden, 1997, etc.), a WWII story with big ambitions—many of them realized’set out in the pages of an unusually long picture book. Lenny Levi lives in London with his mother during the Blitz, cherishing the letters from his father at the front, and the medal of the lion and the unicorn his father gave him. When Lenny is evacuated to the country, he finds himself at a huge old manor with three little girls, the lady of the house, and a few servants. He is lonely, teased at school and at home for not eating bacon and for bedwetting, but makes a friend of the young man with one leg he meets in the secret garden on the estate. The garden, thick with roses, also holds a beautiful statue of a unicorn like the one on his medal. As Lenny’s loneliness and fear spiral out of control, a night vision of the unicorn brings him back; his mother comes to take them both to his aunt in Wales, where his father will join them. The storyline, while straightforward, hints at difficult subjects—religious differences, amputees, separation, family disruptions, the terror of bombing, and more—which are then given only cursory treatment. The pictures are splendid: luminous, full-bodied watercolors that capture the horror of London burning, the glory of the countryside, and mists of dreams. It may be difficult for this to find its audience, but children too young for Michelle Magorian’s Good Night, Mr. Tom (1986) might be captured. (Picture book. 8-10)

Pub Date: April 1, 1999

ISBN: 0-7894-2555-6

Page Count: 60

Publisher: DK Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

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