More icky than scary.
YA fearmonger Stine tries his hand at adult horror, with decidedly jejune results.
When travel blogger Lea Sutter (ignoring urgent forecasts) visits a Carolina coastal island just before a hurricane, that is only the first of the foolhardy decisions that Stine’s plot demands. (What if horror characters went on strike and refused to throw caution to the wind?) After the hurricane levels the island, Lea witnesses carnage, lovingly described. While walking in an ominous post-hurricane red rain, she’s approached by two angelic-looking twin boys, Daniel and Samuel, who utter anachronisms in brogue. Instead of calling Child Protective Services, Lea takes the 12-year-old twins home to Sag Harbor over the objections of husband Mark, a child psychologist and the author of a controversial parenting book. The Sutter offspring, Ira, who is also 12, and teenager Elena, resent the interlopers, as does Mark’s sister, Roz, particularly when Daniel, the obvious sociopath of the duo, keeps comparing her young son to a monkey. The book occasionally switches point of view to the twins, so right away readers know they are scamming the well-meaning Long Islanders, but to what end? At the same time, they seem to have a plan for world domination, starting with ruling their new middle school. In fact, the child characters take up so much space that, but for the sex and profanity in the adult sections, this could easily be another Fear Street or Goosebumps chapter book. Aside from wondering when the police (who also share narrative duties) and the Sutters are going to catch on to who is responsible for some bizarre and garishly depicted mayhem, readers will be puzzling over exactly which horror stereotype fits the twins. Are they zombies from the past, as a bit of foreshadowing hinted? Are they demons or just your garden variety bad seeds? Bottom line, they cannot wreak havoc without the witless collusion of the adult characters, who are definitely not on strike.
More icky than scary.Pub Date: Oct. 9, 2012
ISBN: 978-1-4516-3612-3
Page Count: 384
Publisher: N/A
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Certainly not for all readers, but anyone interested in seeing William Peter Blatty’s infamous The Exorcist (1971) by way of...
The wonder of friendship proves to be stronger than the power of Christ when an ancient demon possesses a teenage girl.
Hendrix was outrageously inventive with his debut novel (Horrorstör, 2014) and continues his winning streak with a nostalgic (if blood-soaked) horror story to warm the hearts of Gen Xers. “The exorcist is dead,” Hendrix writes in the very first line of the novel, as a middle-aged divorcée named Abby Rivers reflects back on the friendship that defined her life. In flashbacks, Abby meets her best friend, Gretchen Lang, at her 10th birthday party in 1982, forever cementing their comradeship. The bulk of the novel is set in 1988, and it’s an unabashed love letter to big hair, heavy metal, and all the pop-culture trappings of the era, complete with chapter titles ripped from songs all the way from “Don’t You Forget About Me” to “And She Was.” Things go sideways when Abby, Gretchen, and two friends venture off to a cabin in the woods (as happens) to experiment with LSD. After Gretchen disappears for a night, she returns a changed girl. Hendrix walks a precipitously fine line in his portrayal, leaving the story open to doubt whether Gretchen is really possessed or has simply fallen prey to the vanities and duplicities that high school sometimes inspires. He also ferociously captures the frustrations of adolescence as Abby seeks adult help in her plight and is relentlessly dismissed by her elders. She finally finds a hero in Brother Lemon, a member of a Christian boy band, the Lemon Brothers Faith and Fitness Show, who agrees to help her. When Abby’s demon finally shows its true colors in the book’s denouement, it’s not only a spectacularly grotesque and profane depiction of exorcism, but counterintuitively a truly inspiring portrayal of the resilience of friendship.
Certainly not for all readers, but anyone interested in seeing William Peter Blatty’s infamous The Exorcist (1971) by way of Heathers shouldn’t miss it.Pub Date: May 17, 2016
ISBN: 978-1-59474-862-2
Page Count: 336
Publisher: Quirk Books
Review Posted Online: March 1, 2016
Kirkus Reviews Issue: March 15, 2016
BOOK REVIEW
BOOK REVIEW
Fans of smart horror will sink their teeth into this one.
Things are about to get bloody for a group of Charleston housewives.
In 1988, the scariest thing in former nurse Patricia Campbell’s life is showing up to book club, since she hasn’t read the book. It’s hard to get any reading done between raising two kids, Blue and Korey, picking up after her husband, Carter, a psychiatrist, and taking care of her live-in mother-in-law, Miss Mary, who seems to have dementia. It doesn’t help that the books chosen by the Literary Guild of Mt. Pleasant are just plain boring. But when fellow book-club member Kitty gives Patricia a gloriously trashy true-crime novel, Patricia is instantly hooked, and soon she’s attending a very different kind of book club with Kitty and her friends Grace, Slick, and Maryellen. She has a full plate at home, but Patricia values her new friendships and still longs for a bit of excitement. When James Harris moves in down the street, the women are intrigued. Who is this handsome night owl, and why does Miss Mary insist that she knows him? A series of horrific events stretches Patricia’s nerves and her Southern civility to the breaking point. (A skin-crawling scene involving a horde of rats is a standout.) She just knows James is up to no good, but getting anyone to believe her is a Sisyphean feat. After all, she’s just a housewife. Hendrix juxtaposes the hypnotic mundanity of suburbia (which has a few dark underpinnings of its own) against an insidious evil that has taken root in Patricia’s insular neighborhood. It’s gratifying to see her grow from someone who apologizes for apologizing to a fiercely brave woman determined to do the right thing—hopefully with the help of her friends. Hendrix (We Sold Our Souls, 2018, etc.) cleverly sprinkles in nods to well-established vampire lore, and the fact that he’s a master at conjuring heady 1990s nostalgia is just the icing on what is his best book yet.
Fans of smart horror will sink their teeth into this one.Pub Date: April 7, 2020
ISBN: 978-1-68369-143-3
Page Count: 400
Publisher: Quirk Books
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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