Snapperwhippers aren’t the only readers who will find this equally delumptious as a dictionary, a source of inspiration, and...
Wordplay has its day in this extra-usual compilation of lexicographical delights drawn from Dahl’s works.
“ONLY REALLY INTERESTING WORDS are allowed in this dictionary,” writes compiler Rennie, and the contents cleave to that stricture with a wacksey (“splendidly huge”) mix of those conventional but nonetheless gloriumptious locutions (like “aardvark” or “sneeze,” printed in black) and wondercrump original coinages (in blue) with which the master’s prose is laced. Every entry comes with a brief definition and one or more sentences from a specified work quoted to demonstrate usage. Each also includes part of speech, alternate forms, and, very often, either cross references (“Another mushious fruit is the snozzberry”) or a linguistic excursion into grammar, the history of words, real-world cognates, or derivations. One frequently recurring extra feature challenges would-be versifiers to find “Ringbelling Rhymes,” and another offers examples and guidelines for making any writing zippfizz along by “Gobblefunking with Words.” Major characters, creatures, and candies also earn diddly (“individual or distinct”) slots in the alphabet. That the pages are positively festooned with Blake’s color cartoon illustrations, all drawn from the novels, just puts the golden ticket into the Wonka bar.
Snapperwhippers aren’t the only readers who will find this equally delumptious as a dictionary, a source of inspiration, and a way of revisiting a shelf of phizz-whizzing classics. (Reference. 9-13)Pub Date: Sept. 1, 2016
ISBN: 978-0-19-273645-1
Page Count: 288
Publisher: Oxford Univ.
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote...
Two republished tales by a Greco-Cherokee author feature both folkloric and modern elements as well as new illustrations.
One of the two has never been offered south of the (Canadian) border. In “Coyote Sings to the Moon,” the doo-wop hymn sung nightly by Old Woman and all the animals except tone-deaf Coyote isn’t enough to keep Moon from hiding out at the bottom of the lake—until she is finally driven forth by Coyote’s awful wailing. She has been trying to return to the lake ever since, but that piercing howl keeps her in the sky. In “Coyote’s New Suit” he is schooled in trickery by Raven, who convinces him to steal the pelts of all the other animals while they’re bathing, sends the bare animals to take clothes from the humans’ clothesline, and then sets the stage for a ruckus by suggesting that Coyote could make space in his overcrowded closet by having a yard sale. No violence ensues, but from then to now humans and animals have not spoken to one another. In Eggenschwiler’s monochrome scenes Coyote and the rest stand on hind legs and (when stripped bare) sport human limbs. Old Woman might be Native American; the only other completely human figure is a pale-skinned girl.
Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote tales. (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-55498-833-4
Page Count: 56
Publisher: Groundwood
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
BOOK REVIEW
BOOK REVIEW
Similar to the vignettes found in the Chicken Soup for the Soul series, this book’s sentimental collection can’t help but...
Intended for ages 9-12, this collection of 10 true vignettes elucidate the bucket-filling philosophy of being a helpful and caring person.
There is a simple philosophy behind bucket filling. As Lundgren writes in her introduction, “We each have an invisible bucket. When it is full, we feel good—happy, peaceful, grateful, or loving. When it is empty, we feel bad—sad, lonely, angry, and frightened.” Ultimately, we must decide whether to be selfless “bucketfillers” or selfish “bucketdippers,” and through a series of short and sweet anecdotes, the book pushes the idea that it is far better to fill than to dip. The stories focus on regular folks who choose to be a positive force for others in small ways. There is the mom who picks up a gallon of gas for the new family at church and relates her story to the police officer who stops her for speeding. Hearing her story, the officer lets the woman go with only a warning—filling the woman’s bucket rather than dipping into it by issuing a ticket on Christmas Eve. Another vignette tells of a ballet dancer reminiscing about the high school teacher who not only allowed her to find solace in dance during the darkest days of her parents’ divorce, but was there with an extra hug when needed. While the stories are often overtly sentimental (seemingly cut from the same cloth as a Hallmark card commercial), each effectively demonstrates that it is just as easy to do good in this world as it is to do ill or nothing. All of the tales culminate with a set of discussion questions that allow the reader to bring her own insight into what she has just read; perfect for a classroom setting. This trains the reader to get into the proper mind-set to use the bucket-filling philosophy in her own life. Despite the book’s slight feel (10 stories in just over 100 pages), the reader will be left hard pressed not to fill more buckets in her life.
Similar to the vignettes found in the Chicken Soup for the Soul series, this book’s sentimental collection can’t help but warm your heart.Pub Date: April 1, 2010
ISBN: 978-0984336609
Page Count: 110
Publisher: N/A
Review Posted Online: Aug. 30, 2010
Review Program: Kirkus Indie
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