An entertaining and action-packed journey that will appeal to Marvel and DC comics fans.
What begins as a short-term space con spirals into a galaxywide adventure.
While hustling a few credits for his next meal, an unnamed 17-year-old narrator is offered a deal: briefly impersonate Mirabor Gravane so he can live free of his famous family’s restrictive expectations. Newly dubbed Grey, the narrator arrives planetside at Justice Academy and embarks on a curriculum of superhero classes, gathering a motley crew of multispecies friends: Seventhirtyfour, a four-armed Brontom; Pilvi, a human plant expert; tech genius Gadget Dude; reptilian Dez; and winged Avrim. Trust, friendship, and having a place to belong are discussed even as Grey hides the truth of his identity from his new friends. During convoluted, risky missions, what makes a superhero truly a hero: powers, technology, or just the right knowledge for the situation? The skills Grey brings as a charismatic human who lacks superpowers but excels at strategic thinking are depicted plainly and directly. One major reveal will likely be spotted by readers well in advance, and only Grey, Seventhirtyfour, and Pilvi receive much character development; action sequences, mysterious capers, and somewhat cinematic battles take the forefront. The human characters seem to be white by default; the rest of the main cast is alien.
An entertaining and action-packed journey that will appeal to Marvel and DC comics fans. (Science fiction. 10-14)Pub Date: Sept. 1, 2020
ISBN: 978-1-951122-08-9
Page Count: 308
Publisher: Shadow Dragon Press
Review Posted Online: June 14, 2020
Kirkus Reviews Issue: July 1, 2020
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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A trilogy opener both rich and strange, if heavy at the front end.
Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.
The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.
A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)Pub Date: June 7, 2011
ISBN: 978-1-59474-476-1
Page Count: 234
Publisher: Quirk Books
Review Posted Online: March 30, 2014
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