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PEACEFUL FIGHTS FOR EQUAL RIGHTS

Hopeful.

An alphabet book to bring change, with the younger generation leading the way.

Nonviolent protests play a major part in history. Sanders wants to ensure that readers learn the importance of taking a stand at an early age. Comparisons to Innosanto Nagara’s A Is for Activist (2013) are inescapable, but this primer carries a bit more depth. It is a direct call to action. The spread for I and J, for instance, pleads: “Inquire. / Invite. / Inform. / Imagine. // Join others on the journey. Join others in the fight.” (The words beginning with I appear on protest signs, while the words beginning with J appear in the narrative text.) The page for S implores readers to “Stand up. / Speak out. / Sit down. / Sing loud. / Be silent.” While the spread for P? A pure white background that whispers a single word: “Pray.” Historical events such as the Delano grape strike (“Boycott! Boycott! Boycott!”) share the book with current ones, such as a protesting football player (“Take a knee”). Schorr’s matte, cut-paper illustrations are full of intricate parts, echoing the ways individuals weave together to form a community. Various races, ages, ethnicities, and abilities are all present. Adult-child interaction is still needed to lift this work to its full potential, but an author’s note and glossary help provide context for an engaging conversation.

Hopeful. (Picture book. 4-10)

Pub Date: Sept. 25, 2018

ISBN: 978-1-5344-2943-7

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: July 23, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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CELEBRATE KWANZAA

WITH CANDLES, COMMUNITY, AND THE FRUITS OF THE HARVEST

From the Holidays Around the World series

A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.

An overview of the modern African-American holiday.

This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.

A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)

Pub Date: Sept. 5, 2017

ISBN: 978-1-4263-2849-7

Page Count: 40

Publisher: National Geographic Kids

Review Posted Online: Oct. 27, 2017

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THE LITTLE BOOK OF JOY

Hundreds of pages of unbridled uplift boiled down to 40.

From two Nobel Peace Prize winners, an invitation to look past sadness and loneliness to the joy that surrounds us.

Bobbing in the wake of 2016’s heavyweight Book of Joy (2016), this brief but buoyant address to young readers offers an earnest insight: “If you just focus on the thing that is making / you sad, then the sadness is all you see. / But if you look around, you will / see that joy is everywhere.” López expands the simply delivered proposal in fresh and lyrical ways—beginning with paired scenes of the authors as solitary children growing up in very different circumstances on (as they put it) “opposite sides of the world,” then meeting as young friends bonded by streams of rainbow bunting and going on to share their exuberantly hued joy with a group of dancers diverse in terms of age, race, culture, and locale while urging readers to do the same. Though on the whole this comes off as a bit bland (the banter and hilarity that characterized the authors’ recorded interchanges are absent here) and their advice just to look away from the sad things may seem facile in view of what too many children are inescapably faced with, still, it’s hard to imagine anyone in the world more qualified to deliver such a message than these two. (This book was reviewed digitally.)

Hundreds of pages of unbridled uplift boiled down to 40. (Picture book. 6-8)

Pub Date: Sept. 27, 2022

ISBN: 978-0-593-48423-4

Page Count: 40

Publisher: Crown

Review Posted Online: Aug. 30, 2022

Kirkus Reviews Issue: Sept. 15, 2022

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