A well-told tale sure to enchant older and younger readers alike.
Take a fairy-filled walk through the woods.
One pleasant day, Dad introduces his daughter, Stella, to Ripple Grove and tells her a story about the fairies who live there and protect the forest. He believes the fairies are real. Will she? Larson employs three different styles of illustrations: the first, lush mossy green forest and underground scenes; the second, a labeled cartoonish drawing identifying the characters; and the last, annotated maps of Ripple Grove and its multilayered magical world of the Underground Meadow, where an underground River with No Name helps magic crystals grow, and Hobb Hill, home of the Trelfs, “a dirty, rotten bunch who didn’t take care of their trees, or soil, or water” and whose land is dying. The Trelfs want to steal the crystals and keep all the magic while letting Ripple Grove and the fairies waste away. Dad’s storytelling, illustrations that turn somber, and well-timed page turns capture this tense conflict between good and evil as the tiny fairies defend their home from the giant Trelfs. At the end of the father’s tale, the pair head home. The story could end at Stella’s bedtime, but it doesn’t. Subtle hints in earlier scenes—a portfolio tucked under Dad’s arm—make sense when Dad gets to work drawing after Stella is asleep. Though younger children will enjoy hearing this read aloud, older ones will pore over the in-depth artwork. Both father and daughter present White; the magical beings vary in skin tone. (This book was reviewed digitally.)
A well-told tale sure to enchant older and younger readers alike. (Picture book. 5-10)Pub Date: Nov. 22, 2022
ISBN: 978-1-64160-819-0
Page Count: 32
Publisher: Chicago Review Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the...
An all-zombie-all-the-time zombiefest, featuring a bunch of grade-school kids, including protagonist Stink and his happy comrades.
This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the streets in the time-honored stiff-armed, stiff-legged fashion. McDonald signals her intent on page one: “Stink and Webster were playing Attack of the Knitting Needle Zombies when Fred Zombie’s eye fell off and rolled across the floor.” The farce is as broad as the Atlantic, with enough spookiness just below the surface to provide the all-important shivers. Accompanied by Reynolds’ drawings—dozens of scene-setting gems with good, creepy living dead—McDonald shapes chapters around zombie motifs: making zombie costumes, eating zombie fare at school, reading zombie books each other to reach the one-million-minutes-of-reading challenge. When the zombie walk happens, it delivers solid zombie awfulness. McDonald’s feel-good tone is deeply encouraging for readers to get up and do this for themselves because it looks like so much darned fun, while the sub-message—that reading grows “strong hearts and minds,” as well as teeth and bones—is enough of a vital interest to the story line to be taken at face value.Pub Date: March 13, 2012
ISBN: 978-0-7636-5692-8
Page Count: 160
Publisher: Candlewick
Review Posted Online: Dec. 13, 2011
Kirkus Reviews Issue: Jan. 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Best for readers who have clearly indicated they would like to take their writing efforts to the next level.
A young white girl writes and illustrates a story, which is critiqued by the narrator as it is created.
The girl begins her story by drawing a Hero. Then she thinks maybe a Heroine would be better. Then she decides both will work. She places them in “a good town, filled with good people, called our Setting.” The narrator, an unseen editor who lurks over the artist’s shoulder, tells the storyteller she needs to put in some Conflict, make the Evil Overlord scarier, and give it better action. This tongue-in-cheek way of delivering the rules of creative writing is clever, and paired with Le Huche’s earnest, childlike illustrations, it seems to be aimed at giving helpful direction to aspiring young creators (although the illustrations are not critiqued). But the question needs to be asked: do very young writers really need to know the rules of writing as determined by adults? While the story appears to be about helping young readers learn writing—there is “A Friendly List of Words Used in this Book” at the end with such words as “protagonist” and “antagonist” (glossed as “Hero and Heroine” and “Evil Overlord,” respectively)—it also has a decidedly unhelpful whiff of judgment. Rules, the text seems to say, must be followed for the story to be a Good one. Ouch.
Best for readers who have clearly indicated they would like to take their writing efforts to the next level. (Picture book. 6-10)Pub Date: Sept. 12, 2017
ISBN: 978-1-4814-2935-1
Page Count: 40
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
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