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TAI CHI CONCEPTS AND EXPERIMENTS

HIDDEN STRENGTH, NATURAL MOVEMENT, AND TIMING

This informative introduction to tai chi combines extensive discussions of principles with hands-on techniques.

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The mysteries of the Chinese martial art tai chi are illuminated with the help of science in this primer.

Chuckrow—the author of Tai Chi Dynamics (2008), a physicist, and a tai chi instructor—addresses the seemingly contradictory teachings of the masters of this martial art, like the admonition to use “no strength” in practicing it, and interprets them in light of Western physics and biology. His main idea is the concept of “expansive strength,” a kind of “hydraulic pressure” in which “bodily tissues can actively expand under the action of bioelectrical stimulation.” Expansive strength, he contends, is better than ordinary strength through muscle contractions because it doesn’t create metabolic waste products or telegraph one’s intentions to attackers. He goes on to apply more physics—explained in plain English, with the math tucked away in the appendix—to tai chi problems, like the niceties of maintaining one’s balance in a pushing match. (“If an opponent A exerts a force F on me, according to Newton’s third law, I automatically exert the same force F on A in the opposite direction….In order to remain in balance, A must arrange things so that the total frictional force of the floor on his feet exerts a force that is opposite to the force I am exerting on him.”) Much of the intricate book explores tai chi’s preoccupation with an exhaustive, even eye-glazing analysis of rudimentary bodily acts, such as taking a step—“As the knee k starts to arc forward, the lower leg lags behind, swinging backward relative to the upper leg; (b) the knee stops, and the lower leg swings forward past (c) to (d); (d) the lower leg has freely swung forward into a position with the heel just touching the ground”—or sitting down. (“True T’ai-Chi practitioners lower themselves slowly and first contact the chair without any commitment. Then, they mindfully transfer weight until it is safe to commit it fully.”) Physiologists may scratch their heads at Chuckrow’s notion of expansive strength, but otherwise his explications of the fundamental laws of natural motion, complete with diagrams, are written in reasonably clear, if involved, prose. Tai chi students will gain from the author a deep theoretical grounding in the discipline’s basic approach to movement along with a wealth of useful exercises to help them practice it.

This informative introduction to tai chi combines extensive discussions of principles with hands-on techniques.

Pub Date: April 1, 2021

ISBN: 978-1-59439-741-7

Page Count: 224

Publisher: Manuscript

Review Posted Online: Feb. 27, 2021

Kirkus Reviews Issue: April 1, 2021

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F*CK IT, I'LL START TOMORROW

The lessons to draw are obvious: Smoke more dope, eat less meat. Like-minded readers will dig it.

The chef, rapper, and TV host serves up a blustery memoir with lashings of self-help.

“I’ve always had a sick confidence,” writes Bronson, ne Ariyan Arslani. The confidence, he adds, comes from numerous sources: being a New Yorker, and more specifically a New Yorker from Queens; being “short and fucking husky” and still game for a standoff on the basketball court; having strength, stamina, and seemingly no fear. All these things serve him well in the rough-and-tumble youth he describes, all stickball and steroids. Yet another confidence-builder: In the big city, you’ve got to sink or swim. “No one is just accepted—you have to fucking show that you’re able to roll,” he writes. In a narrative steeped in language that would make Lenny Bruce blush, Bronson recounts his sentimental education, schooled by immigrant Italian and Albanian family members and the mean streets, building habits good and bad. The virtue of those habits will depend on your take on modern mores. Bronson writes, for example, of “getting my dick pierced” down in the West Village, then grabbing a pizza and smoking weed. “I always smoke weed freely, always have and always will,” he writes. “I’ll just light a blunt anywhere.” Though he’s gone through the classic experiences of the latter-day stoner, flunking out and getting arrested numerous times, Bronson is a hard charger who’s not afraid to face nearly any challenge—especially, given his physique and genes, the necessity of losing weight: “If you’re husky, you’re always dieting in your mind,” he writes. Though vulgar and boastful, Bronson serves up a model that has plenty of good points, including his growing interest in nature, creativity, and the desire to “leave a legacy for everybody.”

The lessons to draw are obvious: Smoke more dope, eat less meat. Like-minded readers will dig it.

Pub Date: April 20, 2021

ISBN: 978-1-4197-4478-5

Page Count: 184

Publisher: Abrams

Review Posted Online: May 5, 2021

Kirkus Reviews Issue: June 1, 2021

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GRIEF IS FOR PEOPLE

A marvelously tender memoir on suicide and loss.

An essayist and novelist turns her attention to the heartache of a friend’s suicide.

Crosley’s memoir is not only a joy to read, but also a respectful and philosophical work about a colleague’s recent suicide. “All burglaries are alike, but every burglary is uninsured in its own way,” she begins, in reference to the thief who stole the jewelry from her New York apartment in 2019. Among the stolen items was her grandmother’s “green dome cocktail ring with tiers of tourmaline (think kryptonite, think dish soap).” She wrote those words two months after the burglary and “one month since the violent death of my dearest friend.” That friend was Russell Perreault, referred to only by his first name, her boss when she was a publicist at Vintage Books. Russell, who loved “cheap trinkets” from flea markets, had “the timeless charm of a movie star, the competitive edge of a Spartan,” and—one of many marvelous details—a “thatch of salt-and-pepper hair, seemingly scalped from the roof of an English country house.” Over the years, the two became more than boss and subordinate, teasing one another at work, sharing dinners, enjoying “idyllic scenes” at his Connecticut country home, “a modest farmhouse with peeling paint and fragile plumbing…the house that Windex forgot.” It was in the barn at that house that Russell took his own life. Despite the obvious difference in the severity of robbery and suicide, Crosley fashions a sharp narrative that finds commonality in the dislocation brought on by these events. The book is no hagiography—she notes harassment complaints against Russell for thoughtlessly tossed-off comments, plus critiques of the “deeply antiquated and often backward” publishing industry—but the result is a warm remembrance sure to resonate with anyone who has experienced loss.

A marvelously tender memoir on suicide and loss.

Pub Date: Feb. 27, 2024

ISBN: 9780374609849

Page Count: 208

Publisher: MCD/Farrar, Straus and Giroux

Review Posted Online: Sept. 19, 2023

Kirkus Reviews Issue: Nov. 1, 2023

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