FLY IN THE OINTMENT

A man’s new home might be the epicenter for a powerful evil in this first installment of Cooper’s horror series.

Kevin Swan comes into possession of a 97-year-old house in the remote wilds of California (somewhere outside Pasadena), where the closest town is a small mountainside village. With only his German Shepherd, Princess (“a strapping, adult male, rescue dog; the unfortunate moniker had come with him”), for company, he soon begins to notice strange happenings in his new home. Tired of bickering with his dog like they’re an old married couple, on a whim Kevin picks up two homeless men from a parking lot to help him around the manor in exchange for room and board. The motley crew quickly realizes that supernatural occurrences are happening with increasing frequency; books about dark magic randomly appear, and they find a chalkboard with weird runes written on it. Kevin attempts to get help from a Caltech professor with an interest in the occult, but neither he nor “Spooky,” another casual dabbler in the dark arts, can provide many answers. Kevin resolves to figure out the mystery of this haunted house or die trying as he encounters more dark forces at play. Cooper tells a strange tale that adequately unsettles but often loses itself in long-winded tangents that are a slog to follow and sometimes even confusing to the reader. Sudden switches to different perspectives, such as that of a knife or a Chinese woman called “Shenzhen Lady,” occur with no explanation for their purpose within the narrative. The writing is disjointed and overly descriptive, lingering on unimportant moments of housework or inner musings in favor of furthering the plot. The characters are either barely present or one-dimensional, with Kevin the only one given a detailed backstory. The ending is a head-scratching cliffhanger that leaves room for a sequel that will hopefully have more answers than questions.

A largely lackluster addition to the haunted house genre.