A worthy thriller starring a tireless and always-reliable protagonist.
In this fourth installment of a series, a graduate student/amateur spy aids in an archaeologist’s risky quest to locate a religious site filled with valuable relics.
Travis Weld, who works for a secret government agency, has enlisted Chesney Barrett’s help in the past. He’s also extensively trained the grad student, who’s doing environmental research in the Louisiana Atchafalaya Basin. Her latest task is liberating archaeologist David Phillips from a leftist guerrilla organization in Mexico. She succeeds, also saving Dr. Tanadas, director of Mayan archaeological studies, in the process. But her work isn’t finished: David’s father, Jacob, wants Chesney to join his son in his newest archaeological trek. She can ensure Tanadas doesn’t take credit for the discovery while protecting David from potential treasure hunters and rebels. David is searching for God’s Domain, the legendary—and presumably relic-filled—dwelling site of Viracocha, god over all gods and the people in the Americas. In a search that takes them to Peru, David and Chesney will have to make alliances with dangerous individuals, including artifact smuggler Col. Montez. But unknown to anyone, awaiting them at the sacred site is something entirely unexpected, as a formidable guardian turns David’s hunt into a test of survival. As in the preceding novels in Gallant’s (Rob the Vatican, 2007, etc.) thriller series, Chesney is a vigorous protagonist; she’s unquestionably the muscle in David’s expedition. But while the rescue mission opens the story with searing action, the pace then slows down significantly, as David deciphers hieroglyphs and decodes maps. Still, the search is often riddled with tension; Chesney must constantly remind David to keep quiet about details of God’s Domain, with suspect, greedy men populating the narrative. The latter half takes a rather surprising turn as the group nears the religious site, but it also presents Chesney with a new, seemingly unbeatable challenge. Meanwhile, her attraction to the appealing David rivals her lingering feelings for the emotionally distant Travis, but unfortunately the story doesn’t fully explore the romantic quandary.
A worthy thriller starring a tireless and always-reliable protagonist.Pub Date: June 18, 2018
ISBN: 978-1-73229-774-6
Page Count: 256
Publisher: Bookmark Publications
Review Posted Online: Nov. 9, 2018
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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