A fast-paced technology tale with enough international intrigue and luxurious details to rival a James Bond adventure.

Alice Chang

In this debut thriller, an engineer investigates a plane crash only to discover a global conspiracy to hack digital satellite television systems that may involve a woman from his past. 

It’s 1993 in San Diego. Steve Barton is a semiretired engineer who left his job at Video Secure, a leader in digital satellite TV technology, upon growing frustrated that the company was at the mercy of a ruthless management team looking for a quick payout. A wealthy divorcé who spends his days driving his collection of vintage cars, writing angry letters to the editor, and occasionally piloting small planes, Steve’s quiet life is thrown upside down when he witnesses a plane crash into a mysterious compound in the remote area of Fernbrook, California. Upon investigating the mishap, Steve discovers evidence of a high-level—and illegal—operation to hack into digital satellite TV systems. He also discovers that Alice Chang, a former Video Secure colleague who disappeared abruptly, may have been involved. Steve longs to know what happened to Alice, an intriguing and sharply intelligent woman who, for him, remains the one who got away. He channels his energy into investigating the crash and the leads left behind at the scene, including an encrypted message that may or may not be from Alice. The more he uncovers about the scheme and Alice’s role in it, the more danger he finds himself in. Gilberg is fluent in early ’90s technobabble, though less tech-savvy readers may find it hard to understand. Fortunately, the action and romance that the author weaves around his complicated conspiracy is enjoyable enough that readers should be enthralled even if they don’t entirely comprehend what’s happening on the hacking side. It helps that Steve, Alice, and their scene-stealing friend, Jim Schmidt, a “not-so-reformed ex-hippy with a Ph.D. in computer science from UCSD,” are all incredibly distinct characters with enough personality quirks to be realistic without veering into caricature. They ground the more sensational side of the story in reality.

A fast-paced technology tale with enough international intrigue and luxurious details to rival a James Bond adventure. 

Pub Date: Aug. 9, 2016

ISBN: 978-1-5347-7479-7

Page Count: 350

Publisher: CreateSpace

Review Posted Online: Oct. 5, 2016

Kirkus Reviews Issue: Nov. 1, 2016

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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