Satisfying historical fiction, of particular appeal to readers who live near the banks of the Harpeth or Cumberland.

THE ORPHAN MOTHER

Hicks (A Separate Country, 2009, etc.) extends his Tennessee-set historical saga into the years immediately following the Civil War.

The Reconstruction Era was one of the messiest times in American history, not least because establishing civil and political rights for African-Americans newly freed from slavery was left unfinished for another century. That turmoil forms the setting for Hicks’ latest, located, as was its predecessor volume, in Franklin, Tennessee, just south of Nashville. Formerly a slave in the household of Carrie McGavock, the widow of Hicks’ title, Mariah Reddick has long been renowned as a midwife, and in this work she has built up both property holdings and local esteem. Her son, Theopolis, has empire-building desires of his own  that earn him a bullet and Mariah endless suffering; Carrie assures Mariah that “he was a special boy,” but that does nothing to ease the pain except to establish yet another bond between the two women, one forged in “grief and rage so inarticulate and so elemental that [Mariah] would come to rely upon it, like a cane or an extra toe, to give her balance.” Now the question is to find out who wanted Theopolis dead, and why. There is no shortage of suspects among the dispossessed planters and crofters “made poor and small by Reconstruction, their punishment for opposing the Republicans and fighting for the Confederacy.” The villain of the piece has murkier motives still, but Hicks nicely complicates what otherwise is a historical potboiler with the arrival of a soft-spoken African-American sleuth who digs into the mystery while nursing griefs of his own. Tole has reasons for going after the conspirators who murdered Theopolis, and though Carrie assures Mariah that as the town’s midwife “you’re the mother of everyone in Franklin,” it’s a hailstorm of avenging bullets and not kind words that makes this engaging novel pop.

Satisfying historical fiction, of particular appeal to readers who live near the banks of the Harpeth or Cumberland.

Pub Date: Sept. 13, 2016

ISBN: 978-0-4465-8176-9

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: June 19, 2016

Kirkus Reviews Issue: July 1, 2016

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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This book sings with the terrible silence of dead civilizations in which once there was valor.

THINGS FALL APART

Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.

Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.

This book sings with the terrible silence of dead civilizations in which once there was valor.

Pub Date: Jan. 23, 1958

ISBN: 0385474547

Page Count: 207

Publisher: McDowell, Obolensky

Review Posted Online: April 23, 2013

Kirkus Reviews Issue: Jan. 1, 1958

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